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VENUES AND TICKETS
Whitsell Auditorium
1219 SW Park Avenue
Portland, OR 97205

The Box Office opens 30 minutes prior to showtime.

PARKING

ADMISSION PRICES
$9 General
$8 PAM Members, Students, Seniors
$6 Friends of the Film Center

Tickets are now available online. Click on the 'Buy Tickets' links to buy online.

BOOK OF TEN TICKETS
$50 Buy Here

THE 10-MINUTE RULE
Seats for advance ticket and pass holders are held until 10 minutes before showtime, when any unfilled seats are released to the public. Thus, advance tickets or passes ensure that you will not have to wait in the ticket purchase line but do not guarantee a seat in the case of arrival after the 10-minute window has begun. Your early arrival also helps get screenings started promptly. We appreciate your understanding. Advance ticket holders who arrive within the 10-minute window but are not seated may exchange their tickets for another screening at the Ticket Outlet or obtain a cash refund at the theater. There are no refunds or exchanges for late arrivals or for missed screenings.



   
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1998
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Special Screenings


Fri, Jun 11, 2010
at 7 PM

Sat, Jun 12, 2010
at 7 PM

Sun, Jun 13, 2010
at 4:30 PM

THE WIND JOURNEYS
DIRECTOR: CIRO GUERRA
COLUMBIA, 2009

Ignacio Carrillo, old and retired, has spent his life traveling through the villages of northern Colombia playing traditional songs on his accordion, a legendary instrument said to be cursed because it was won in a musical duel with the devil himself. When his wife dies, he bitterly vows never to play again and decides to make one last journey—to return the accordion to the man who gave it to him, his teacher and mentor. Setting out on his donkey, he is followed by a young teenager with romantic dreams of becoming a nomadic minstrel like Ignacio. Though reluctant to take him along, Ignacio relents, but in the course of their journey tries to convince him that the life of a minstrel can only lead to solitude and sadness. This touching odd-couple story mixes the evocative landscapes of Colombia with the magic of its music to tell a timeless tale.

( 117 min )

This year’s Colombian submission for the Best Foreign Language Film Oscar.


WATCH THE TRAILER


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Sun, Jun 13, 2010
at 7 PM

Thu, Jun 17, 2010
at 7 PM

THE AGONY AND ECSTASY OF PHIL SPECTOR
DIRECTOR: VIKRAM JAYANTI
US/GREAT BRITAIN, 2009

“Composer, ‘Wall of Sound’ pop producer extraordinaire (The Crystals, The Ronettes, The Righteous Brothers, Ike and Tina Turner, etc.), and now convicted killer, the almost mythically reclusive Phil Spector agreed during his first trial to grant an unprecedented on-camera interview in his Hollywood mansion to filmmaker Vikram Jayanti. Scornful of the world’s unworthiness to judge either his lifelong brilliance or his criminal guilt, jittery from medication, and recalling myriad landmark collaborations with decades of musical greats, he’s riveting, an indelibly American fuckup. David Lynch or Kenneth Anger might have dreamed up Jayanti’s layering of unreliable testimony with Top 20 archival rhapsodies and courtroom reality TV. No aficionado of ’60s pop should miss this film—or expect to hear those soaring two-minute epics of love’s rapture in quite the same way afterwards.”—Sydney Film Festival. “An unmissable music documentary.”—Mojo.

( 100 min )


WATCH THE TRAILER


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Fri, Jun 18, 2010
at 7 PM

Sat, Jun 19, 2010
at 2 PM

Sun, Jun 20, 2010
at 7 PM

Mon, Jun 21, 2010
at 7 PM

8 1/2
DIRECTOR: FEDERICO FELLINI
ITALY, 1963

Fellini’s Oscar-winning film brilliantly connects memory, fantasy, and reality, and remains one of cinema’s greatest and most influential films. The autobiographical schema posits a film director’s “creative block” as he sets out to make a new film. Marcello Mastroianni fully inhabits the character of the director Guido, who, with a string of critical successes behind him, a wife, a mistress, a host of other women who adore him, and a crew ready to start filming, has not a clue what to do next. The possibility of being found shallow has never seemed more beguiling. “All the confusion of my life. . .has been a reflection of myself! Myself as I am, not as I’d like to be.”—Federico Fellini.

( 138 min )

New 35mm print.


WATCH THE TRAILER


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Thu, Jun 24, 2010
at 7 PM

Sat, Jun 26, 2010
at 2 PM

SYMPATHY FOR MR. VENGEANCE
PARK CHAN-WOOK’S VENGEANCE TRILOGY
DIRECTOR: PARK CHAN-WOOK
SOUTH KOREA, 2002

“SYMPATHY FOR MR. VENGEANCE accomplishes a miraculous feat by being harrowing and humane in equal measure. One misfortune piles hard upon another in a breathless domino effect precipitated by a woman’s kidney disease: For want of a suitable donor, her deaf-mute brother Ryu visits a black-market ring, which leads to organ theft, which in turn prompts kidnapping, suicide, and several revenge killings of Jacobean savagery. To divulge any more would compromise a drama that is predicated on a stupefying succession of human suffering . . . Though deserving of retribution, Ryu acts out of a deterministic miasma of human indifference—precisely why there is sympathy for this avenger.”—Village Voice.

( 129 min )

WATCH THE TRAILER


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Fri, Jun 25, 2010
at 6:30 PM

Sat, Jun 26, 2010
at 4:30 PM

OLDBOY
PARK CHAN-WOOK’S VENGEANCE TRILOGY
DIRECTOR: PARK CHAN-WOOK
SOUTH KOREA, 2003

In the second film in Park’s Vengeance Trilogy, Oh Dae-su, who lives with his wife and daughter, is kidnapped and later wakes up to find himself in a private makeshift prison. Alone here for 15 years, he wonders who could possibly hate him so much. When he is released as mysteriously as he was taken, he is given money and a phone, and told by a mysterious caller that he has just days to figure out why, and by whom, he was held captive. “As mannered as a hyper-violent manga, yet masterfully framed in the archetypal structure of a Greek tragedy, OLDBOY intoxicates its audience with the perilous, vindictive tango of a torturer and his victim ensnared in a crescendo of psychological gore.”—London Film Festival.

( 119 min )

WATCH THE TRAILER


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Fri, Jun 25, 2010
at 8:45 PM

Sat, Jun 26, 2010
at 7 PM

LADY VENGEANCE
PARK CHAN-WOOK’S VENGEANCE TRILOGY
DIRECTOR: PARK CHAN-WOOK
SOUTH KOREA, 2005

“With this thrilling final installment of his revenge cycle, Park has made his finest movie to date. Geum-ja, or ‘Lady Vengeance,’ is a pale beauty that was wrongly imprisoned at 19 for the murder of a small boy. Fourteen years later, she is released and wants to begin living a good life—which means, naturally, making the real killer pay. As always, Park displays his talent for capturing subjective experience and flaunts the storytelling panache that has often gotten him compared to Quentin Tarantino. But in its second half, the movie pushes beyond its initial KILL BILL-style exuberance and takes on enormous emotional force. Rather than exulting in spectacular violence, this dazzling film becomes an exploration of the spiritual price of vengeance, however justified it might seem. Park makes us ask: Is it possible to atone for one sin by committing another?”— New York Film Festival.

( 112 min )

WATCH THE TRAILER


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Fri, Jul 2, 2010
at 7 PM

Sat, Jul 3, 2010
at 4:30 PM

Sat, Jul 3, 2010
at 7 PM

CRUMB
DIRECTOR: TERRY ZWIGOFF
US, 1994

This remarkable documentary by Zwigoff (GHOST WORLD, ART SCHOOL CONFIDENTIAL) about the multi-talented comic book artist Robert Crumb, whom art critic Robert Hughes memorably called “the Breughel of the 20th century,” is at once darkly funny, distressingly frank, and forever haunting. As we come to know the prodigiously talented, sex-obsessed Crumb and his troubled family, our thinking about art, artists, and our culture gets a bracing jolt. Focusing on Crumb’s seminal work in the ’60s and ’70s, the film is essential viewing for visitors to the Portland Art Museum’s exhibition The Bible Illuminated: R. Crumb’s Book of Genesis, on view through September 19. “It succeeds at showing how one man’s psychic wounds contributed to an art that transmutes personal pain into garish visual satire.”—New York Times.

( 119 min )
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Tue, Jul 6, 2010
at 7 PM

D-TOUR
DIRECTOR: JIM GRANATO
US, 2009

VISITING ARTIST—As a multi-instrumentalist, Pat Spurgeon is an integral part of the indie pop band Rogue Wave. They have performed all over the world, increasing their fan base with every tour in support of their three critically acclaimed albums to date. In addition to the excitement of his band’s accomplishments, Spurgeon has had to deal with kidney failure and the parameters that have been set for him by his situation. After the success of his first kidney transplant 13 years ago, the kidney started to fail just as Rogue Wave started to take off. The film chronicles Pat’s search for a living organ donor and the challenges associated with finding a viable match. Pat’s choice to keep touring and working toward the band’s goals is put to the test; the absolute need to perform dialysis daily and to focus on his health become top priority while being on the road. D-TOUR also addresses issues with the US health care system, the lack of affordable insurance, the importance of organ donation, and much more. Featuring live performances from Ben Gibbard (Death Cab for Cutie), Nada Surf, Ryan Miller (Guster), John Vanderslice, The Moore Brothers, and of course Rogue Wave.

( 99 min )

Jim Granato and Pat Spurgeon in attendance.


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Fri, Jul 9, 2010
at 7 PM

Sun, Jul 11, 2010
at 2 PM

LATE SPRING
OZU’S NORIKU TRILOGY
DIRECTOR: YASUJIRO OZU
JAPAN, 1949

The director’s personal favorite, LATE SPRING marked the Ozu debut of Setsuko Hara, in the first of many classic pairings with regular Chishu Ryu. Hara plays Noriko, a loving, uncommonly old-fashioned daughter who refuses to marry so that she can take care of her widowed father, Professor Somiya (Ryu). When Somiya begins to worry that she might grow despondent once he passes away, he devises a ruse to incite her to marry—namely, pretending to consider remarriage himself. A film of subtle glances and quiet, eloquent gestures, LATE SPRING contains one of the most indelible images Ozu ever put to screen: the sight of Ryu in an empty house, peeling an apple. “Ozu’s greatest achievement and, thus, one of the ten best films of all time.”—Stuart Byron, The Village Voice.

( 108 min )

LATE SPRING was awarded the Kinema Jumpo First Prize.


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Sat, Jul 10, 2010
at 6 PM

Sun, Jul 11, 2010
at 4:30 PM

EARLY SUMMER
OZU’S NORIKU TRILOGY
DIRECTOR: YASUJIRO OZU
JAPAN, 1951

The Mamiya family is seeking a husband for their daughter Noriko, but she has ideas of her own. Played by the extraordinary Setsuko Hara, Noriko impulsively chooses her childhood friend, at once fulfilling her family’s desires and tearing them apart. A seemingly simple story, EARLY SUMMER is one of Ozu’s most complex works, a nuanced examination of life’s changes across three generations.

( 125 min )
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Sat, Jul 10, 2010
at 8:30 PM

Sun, Jul 11, 2010
at 7 PM

TOKYO STORY
OZU’S NORIKU TRILOGY
DIRECTOR: YASUJIRO OZU
JAPAN, 1953

Ozu’s sad, simple story is regularly included in international critics’ top ten polls and remains his acknowledged masterpiece. Examining the widening gap between Japan’s generations, Ozu tells the story of an older couple’s visit to the city to see their children, who, absorbed with their own lives, treat them with indifference and ingratitude. Only their daughter-in-law, widowed in the war, is happy to see them. “One of the greatest of all Japanese pictures. Ozu’s style, now completely refined, utterly economical, creates a film which is unforgettable because it is so right, so true, and because it demands so much from its audience.”—Donald Ritchie.

( 134 min )

With support from the Oregon Nikkei Legacy Center.


WATCH THE TRAILER


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Fri, Jul 16, 2010
at 7 PM

Fri, Jul 16, 2010
at 8:45 PM

Sat, Jul 17, 2010
at 7 PM

Sat, Jul 17, 2010
at 8:45 PM

Sun, Jul 18, 2010
at 7 PM

Sun, Jul 18, 2010
at 8:45 PM

ALAMAR
DIRECTOR: PEDRO GONZÁLES-RUBIO
MEXICO, 2009

Recently awarded the Best First Feature Prize at the San Francisco International Film Festival and numerous other awards all over the world, ALAMAR celebrates the nearly divine mystery of the love between a parent and child. The story is simple—the young son of a separated couple is sent from his mother’s home in Italy to the Yucatan coast for a summer to be spent working alongside his Mexican father, a fisherman on the idyllic Chinchorro Reef. Living simply on the water among the elements—diving for fish, cooking, and swimming—father and son experience life at its most essential, and form an incomparable bond that will last forever. ALAMAR is a fresh, singular achievement in docufiction filmmaking, as verité footage of this real-life family is used to conjure a beautiful, epic narrative.

( 73 min )

With support from the Miracle Theatre Group.


WATCH THE TRAILER


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Wed, Jul 21, 2010
at 7 PM

Sun, Jul 25, 2010
at 3 PM

DAYS OF BEING WILD
WONG KAR-WAI’S LOVE TRILOGY
DIRECTOR: WONG KAR-WAI
HONG KONG, 1991

Wong’s second feature, a handsome coalescence of dreamy pop nostalgia and picturesque lyricism, anticipates the cool mastery of his subsequent films. Leslie Cheung plays the incarnation of Wong’s world-weary everyman, a young romantic who prefers unrequited longing to the trivialities of actual relationships. The young Shanghai man’s mission to find his mother in Manila is partly an act of love, but more certainly an escape. Here, urban life has the rhythm and pace of the sad, languorous love songs that fill the night. “A drama conceived entirely in terms of style, attitude, and a sense of time straight out of a Dali painting.”— Tony Rayns, British Film Institute.

( 94 min )

WATCH THE TRAILER


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Sat, Jul 24, 2010
at 7 PM

Sun, Jul 25, 2010
at 5 PM

IN THE MOOD FOR LOVE
WONG KAR-WAI’S LOVE TRILOGY
DIRECTOR: WONG KAR-WAI
HONG KONG, 2000

“A swooningly cinematic exploration of romantic longing, both restrained and sensual, luxuriating in color, texture, and sound, this film raises its fascination with enveloping atmosphere and suppressed emotion to a ravishing, almost hypnotic level. . . The conventional nature of the material makes it easier to appreciate the visual assurance and provocative, intimate directing style that have made all of Wong’s films major award winners. . . Adding to the superb sense of ambiance is the film’s alluring use of muted yet vivid color—a dream of complimentary pastels, with window blinds, wallpaper, kitchen appliances, shower curtains, even telephones all part of a rapturous color scheme. The result is a kind of ultimate romantic film, joining an almost Jamesian sadness and discipline to that extraordinary visual sensibility. It’s not the kind of thing you see every day.”—Kenneth Turan.

( 101 min )

WATCH THE TRAILER


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Sat, Jul 24, 2010
at 9 PM

Sun, Jul 25, 2010
at 7 PM

2046
WONG KAR-WAI’S LOVE TRILOGY
DIRECTOR: WONG KAR-WAI
HONG KONG, 2005

Wong Kar-Wai moves back and forth in time in this offbeat romantic drama that reexamines the themes from IN THE MOOD FOR LOVE. In the year 2046, a man named Tak attempts to persuade the lovely Wang to travel back in time with him. The film soon shifts to the year 1966, in which Chow, a struggling author, asks the woman he loves, Su (Gong Li), to sail with him from Singapore to Hong Kong on Christmas Eve. She declines, and over the next three years we return to Chow on December 24, when he finds himself with another woman every year—lighthearted Lulu (1967), eccentric hotel heiress Wang (1968), and Bai Ling, a high-class prostitute (1969). In time, Chow and Wang become reacquainted and a love affair blooms, but the fates are not on their side. “Quite simply an incomparably sublime work of art, a triumph of lyricism over narrative in the cinema, and the most exquisite homage to the beauty of women it has ever been my privilege to witness on the screen.” —Andrew Sarris.

( 129 min )

WATCH THE TRAILER


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Fri, Jul 30, 2010
at 7 PM

BLUE VELVET
DIRECTOR: DAVID LYNCH
US, 1996

GUEST PRESENTER: CHRIS MATHESON—“It’s a strange world,” remarks Jeffrey Beaumont (Kyle MacLachlan), a nice young man who finds a severed human ear in a grassy meadow. His obsession with his eerie find leads him into the lives of a nightclub singer (Isabella Rossellini) and her sadistic blackmailer (Dennis Hopper), whose tastes run to Pabst Blue Ribbon, nitrous oxide, and Roy Orbison. Tonight we welcome Film Center screenwriting instructor Chris Matheson to introduce BLUE VELVET. “One of the strangest, darkest, funniest, most disturbingly beautiful movies ever made, BLUE VELVET is a feverish examination of good and evil, male and female, life and death. The film is physically magnificent, aurally dense, thematically complex; an astounding, visionary masterpiece of world cinema; truly one of the most original films ever made.”—Chris Matheson.

( 120 min )

WATCH THE TRAILER


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Sat, Jul 31, 2010
at 7 PM

THE KNACK, AND HOW TO GET IT
DIRECTOR: RICHARD LESTER
GREAT BRITAIN, 1965

GUEST PRESENTER: CHRIS TENZIS—Lester’s follow-up to A HARD DAY’S NIGHT won the Grand Prize at the Cannes Film Festival. A madcap blend of surrealism and social satire, it follows the adventures of a blasé playboy (Ray Brooks) who has “the Knack”—the talent for seducing women—and another (Michael Crawford) who desperately wants it. Add Rita Tushingham, Charlotte Rampling, Jacqueline Bisset, and Lester’s knack for visual style and witty editing to the mix and you have an enduring classic. Tonight we welcome Chris Tenzis, who teaches Digital Video Editing at the Film Center, to share his enthusiasm for one of his favorite films. “It is a perfect example of what can be done with cinema grammar and a bit of imagination. Lester uses occasional subtitles, jump cuts, the general disapproving public as Greek chorus, and hilarious set pieces to rival Godard at his most playful. Plus, it better exemplifies youth culture than any film I know. A special film full of hilarity, chaos, and wit.”—Chris Tenzis.

( 84 min )

WATCH THE TRAILER


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Sat, Jul 31, 2010
at 9:15 PM

Sun, Aug 1, 2010
at 4:30 PM

COMIC BOOK CONFIDENTIAL
DIRECTOR: RON MANN
CANADA, 1988

Mann’s acclaimed documentary offers an entertaining, insightful survey of a largely unrecognized art form. Through interviews, animated montages, and readings, the film traces the journey of comic book art from the 1930s and ’40s and the explosive popularity of superheroes to the groundbreaking work of Will Eisner and the crime and horror comics of the ’50s. Mann also looks at the chilling effect of the Comic Code, which cited comic books as a major cause of juvenile delinquency. Mad Magazine defiantly survived the era, profoundly influencing everything that came after it. The film also looks at the rise of Stan Lee’s Marvel Comics and the independent and underground work of R. Crumb and the “comix” makers of the ’60s and ’70s. Among the many interviewed: Art Spiegelman, Harvey Pekar, Stan Lee, Frank Miller, Will Eisner, Jack Kirby, and Harvey Kurtzman.

Be sure to catch The Bible Illuminated: R. Crumb’s Book of Genesis, on view at the Portland Art Museum through September 19.

( 90 min )

With support from Floating World Comics.


WATCH THE TRAILER


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Fri, Aug 6, 2010
at 7 PM

MEMORIES OF THE YELLOW HOUSE—A PORTUGUESE COMEDY
DIRECTOR: JOÃO CÉSAR MONTEIRO
PORTUGAL, 1989

JOÃO CÉSAR MONTEIRO: MAD GENIUS

“I think my film represents above all the proof, to those who want to understand and accept it, that poetry can’t be filmed, that it is useless to try.”—João César Monteiro. “Look at a photograph of the underappreciated Portuguese auteur João César Monteiro, who died in 2003, and you will see a man resembling a cross between Nosferatu and Woody Allen. It’s no wonder then that his cinematic fingerprints are some of the most memorable you’ll ever see. It’s not clear under what influence Monteiro worked, but he was certainly international cinema’s randiest rapscallion. Practicing his own brand of slowed-down slapstick, he made films that puncture preconceptions about power and age, beauty and desire. Never has the cinema dared to depict obsessiveness so unblinkingly and with such contained irony.”—Harvard Film Archive.

Special thanks to Haden Guest and the Harvard Film Archive, as well as Instituto Camoes Portugal and Paulo Cunha Alves, Consul General of Portugal in Boston.


“In his debut as his libidinous alter ego João de Deus, Monteiro stars as a meticulous and melancholy bachelor living in a rambling boarding house and feverishly obsessed with his landlady’s daughter. A ribald yet wonderfully delicate comedy, MEMORIES OF THE YELLOW HOUSE traces the indecisive, dangerous ripening of erotic fantasy as João’s voyeuristic rituals push him to further, unexpected extremes. The rich mellowing of Monteiro’s political address is embodied in the figure of the boarding house whose sanctimonious and narcissistic landlady is both a loose metaphor for the repressive, reactionary tendencies of postwar Portuguese society and an affectionately comic figure.”—Harvard Film Archive.

( 122 min )


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Sat, Aug 7, 2010
at 7 PM

GOD’S COMEDY
DIRECTOR: JOÃO CÉSAR MONTEIRO
PORTUGAL, 1995

“Dryly comic, disturbing, and deservedly honored with the VeniceFilm Festival’s Silver Lion when it was released, GOD’S COMEDY is one of the most flagrantly perverse films you’re likely to see. It centers on the outlandish presence of Monteiro, once again as João de Deus, now employed as the eccentric manager of the Paradise Ice Cream Parlor and inventor of its renowned ambrosia. A collector of female pubic hair—including a precious strand from Queen Victoria—Monteiro’s João de Deus embodies the cryptically entomological eroticism that lies at the tremulous heart of his late films. The meticulous staging of GOD’S COMEDY underscores Monteiro’s heightened sensitivity to the occult eroticism of everyday rituals; even the stirring and serving of ice cream are sacred and hauntingly sensuous ceremonies.”—Harvard Film Archive.

( 163 min )


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Sun, Aug 8, 2010
at 7 PM

DR. STRANGELOVE: OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB
DIRECTOR: STANLEY KUBRICK
GREAT BRITAIN, 1964

GUEST PRESENTER: TED MAHAR—This fall, former Oregonian film critic Ted Mahar will be hosting a course at the Film Center surveying the work of American director Stanley Kubrick. Tonight, he’ll present an overview of Kubrick’s career, screening Kubrick’s classic satire on nuclear roulette by way of introduction to the class. A pithy black comedy that centers on the predicament of an American president whose Air Force commander goes berserk and sends his B-52 to bomb Russia, DR. STANGELOVE plays havoc with perceptions of nuclear deterrence, technology, international relations, and adults that are supposedly in charge. Peter Sellers, George C. Scott, and Sterling Hayden bring to life this lasting comic nightmare.

( 96 min )

WATCH THE TRAILER


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Fri, Aug 27, 2010
at 7 PM

Sat, Aug 28, 2010
at 7 PM

JEAN-MICHEL BASQUIAT: THE RADIANT CHILD
DIRECTOR: TAMRA DAVIS
US, 2010

In his short career, Jean-Michel Basquiat was a phenomenon. From his early, cryptic street art to his meteoric rise to prominence in the New York art world, Basquiat exhibited genius. He infused his work with an intentional childishness that contrasted sharply with his catalog of intellectual, anatomical, sociopolitical, historical, and graphic influences. By the time of his premature death in the 1980s he was no less than the prince of the post-pop scene. Combining never-before-seen interview footage with commentary from friends and contemporary art world luminaries, Davis offers a compelling introduction to a singularly driven creative personality, an artist who could paint masterpieces in an hour (earning him Andy Warhol’s extreme jealousy) and find endless inspiration in the oversaturated culture from which he emerged.

( 90 min )
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Fri, Aug 27, 2010
at 9 PM

Sat, Aug 28, 2010
at 9 PM

Sun, Aug 29, 2010
at 7 PM

LOURDES
DIRECTOR: JESSICA HAUSNER
AUSTRIA, 2009

Christine (Sylvie Testud), confined to a wheelchair, is isolated and socially awkward. Desperate to engage with the world around her, she joins a religious group journeying to Lourdes, the iconic Christian shrine in the Pyrenees Mountains. Skeptic though she is, Christine needs companionship and, like the others, hopes for a miraculous cure from the grotto’s healing waters. When she wakes up one morning seemingly cured by a miracle, surprising attention comes her way. “Always treading a fine line between sorrow and satire, Hausner’s cool depiction wavers between a critique of religion and a story of redemption. Christine’s pilgrimage is perplexing and wonderful in its misguided search. She will discover that the most important part of the journey is to believe in something, whether basic human kindness or divine intervention.”— Cinematheque Ontario.

( 99 min )
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