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Schedule Archives
Festivals Archive 2012
Volume 1
2011
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2010
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2009
Volume 5
Volume 4 Volume 3 Volume 2 Volume 1 2008
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2007
Volume 7
Volume 6 Volume 5 Volume 4 Volume 3 Volume 1 2006
Volume 6
Volume 5 Volume 4 Volume 2 Volume 1 2005
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2004
Volume 6Volume 5 Volume 4 Volume 3 Volume 2 Volume 1 2003
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2002
Volume 4Volume 3 Volume 2 Volume 1 2001
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2000
Volume 4Volume 3 Volume 2 Volume 1 1999
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 1998
Volume 5Volume 4 Volume 3 |
A Quest for the Sublime:
Werner Herzog rose to prominence in the 1970s as a central figure in the New German Cinema movement along with Rainer Fassbinder, Volker Schlöndorf, Margarethe von Trotta, Wim Wenders and others looking for a more personal cinema. Beginning with such heralded films as AGUIRRE, THE WRATH OF GOD and WOYZECK, Herzog's career in the decades since has been distinguished by a continuing fascination with characters possessed by a unique vision, their escapades set against hauntingly powerful landscapes—from the Amazon jungle to the Sahara Desert to the Antarctic tundra. Herzog has said, "It is the human soul that is visible through the landscapes presented in my films." He has also characteristically disregarded the distinction between narrative film and documentary in pursuit of a more profound truth: "Through invention, through imagination, through fabrication, I become more truthful than the little bureaucrats." Herzog has transcended the New German Cinema movement to become—as Milos Forman, Francois Truffaut and many other fellow filmmakers have asserted—one of the great cinema artists of our era. The Films of Werner Herzog
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