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Digital Video Editing #171
Core Classes
This course introduces the principles of film editing, emphasizing the importance of emotion and story in creating narrative clarity and how meaning is created through juxtaposition of images and sound. The class begins with an overview of the history of editing, then explores film grammar (including scenes, shots, matching action, parallel action, the 180-degree rule, 30-degree rule, the five basic kinds of edits, and why you cut and when). Using the basics of the Final Cut Pro 7 application, students will edit projects in increasing complexity, exploring the difference between montage and continuity approaches and learning how it’s just as important to know when not to cut as it is to cut. Working with multiple tracks of audio, preparing a project for final output (checking levels, how to export at high resolution, etc.), and other technical considerations will also be covered. Hands-on demonstrations and critiques occur throughout the term. Editing time outside of class is required and can be reserved to fit a variety of schedules.
Prerequisites
No specific classes are required. Please see notes below for more details and recommended skills required to successfully participate in this course.SECTION
TUESDAYS, JAN 24-APR 24 6:30-9:30 PM; NO CLASS MAR 27
13 Sessions
4 PSU credits
CERTIFICATES
|
Level 1: Required Level 2: Required Level 3: Required |
| PSU Course: Yes |
| PNCA Course: Yes |
| Marylhurst Course: Yes |
Fees
| Tuition: | $850.00 |
| Equipment/Lab Fees: | $275.00 |
| PSU Credit (optional): | $260.00 (if taken for 4 PSU credits) |
| PSU Rec. Fee: | $41.00 (req. with PSU credit, billed directly by PSU) |
Location
Northwest Film Center School of Film
934 SW Salmon Street, Portland, OR (Corner of 10th & Salmon)
Textbooks
Textbooks may be purchased at the Powell’s Bookstore (Bldg 2)
40 NW 10th Avenue, Portland, Oregon
www.powells.com
* Different sections of this class may require different textbooks.
Other Information
Pre-requisites: Basic knowledge of Final Cut Pro. |