WEDNESDAY, APRIL 20
 7:30  Popaganda: the Art and Crimes of Ron English (feature documentary)
 9:30  Opening Night Party at Holocene with: Jackie-O-Mother-Fucker / David Dinnell / Slow Dance Recytall / sound+video

THURSDAY, APRIL 21
 4:30  War at a Distance (feature experimental documentary)
 7:00  Shorts Program #1 (experimental and documentary shorts)
 9:30  Cinema Project: Gatten/Hutton (experimental shorts)

FRIDAY, APRIL 22
 4:30  The Birdpeople (feature documentary)
 7:00  Occupation: Dreamland (feature documentary)
 9:30  Shorts Program #2 (experimental shorts)

SATURDAY, APRIL 23
 1:00  Shorts Program #3 (experimental shorts)
 3:30  A Darkness Swallowed (feature experimental)
 6:00  Cul De Sac (feature documentary)
 9:00  Peripheral Produce Invitational (experimental film battle royal)

SUNDAY, APRIL 24
 1:00  Shorts Program #4 (experimental shorts)
 3:15  Kings of the Sky (feature documentary)
 5:30  Shorts Program #5 (experimental shorts)
 8:00  Me and You and Everyone We Know (feature)
 9:30 Closing Night Party at Masu Sushi Bar

WEDNESDAY, APRIL 20, 7:30 - Opening night!
Popaganda: the Art and Crimes of Ron English
 Pedro Carvajal, 78 min, video, USA

POPaganda: The Art & Subversion of Ron English is a film about the culture jamming and billboard-liberation antics of Ron English. The modern day Robin Hood of Madison Avenue, Ron paints, perverts, infiltrates, reinvents and satirizes modern culture on canvas, in songs, and directly on hundreds of pirated billboards. Shot entirely guerilla-style, the film chronicles the evolution of an artist who offers an alternative universe where nothing is sacred, everything is subverted and there's always room for a little good-natured fun.

Proceeded by
Shadow of Liberty
 Geoff Adams, 14 min, video, USA

A reenactment of the Boston Tea Party gets crashed by an authentic Colonial Reenactivist.
 « Back to the schedule

WEDNESDAY, APRIL 20, 9:30 - Opening night party
 at Holocene (1001 SE Morrison Ave)
 
Free with festival pass or opening night ticket stub (otherwise $8)

Jackie-O-Mother-Fucker with David Dinnell, and Slow Dance Recyttal
 Plus FREE BEER courtesy of Pabst Blue Ribbon!

Please join us as we celebrate the kick-off of the festival with two very special sound + projection performances. Leading off is Slow Dance Recyttal, a conglomeration of digital animation, inflatable glowing objects, live electronic jamz and clarinet music. Headlining the event is Jackie-O-Mother-Fucker, who will be collaborating with Detroit video artist David Dinnell in creating a live multi-projector and sound performance.

THURSDAY, APRIL 21, 4:30
War at a Distance
 Harun Farocki, 54 min, video, Germany

Since the 1991 Gulf War, the act of warfare and the act of reporting it have become hyper-technological affairs in which real and computer-generated images cannot be distinguished from each other. Using his own new, and archival, images, Farocki sketches the relationship between military strategy and industrial production and shows how war technology finds its way into our everyday life.
 
Proceeded by
Diary
 Oksaba Buraja, 24 min, video, Lithuania

Walking a delicate line between narrative and documentary, Diary is an achingly beautiful examination of struggles and economic challenges presented by post-Soviet life.

THURSDAY, APRIL 21, 7:00
Shorts Program #1 (total running time 82 min)
 
Red Bugs
 Ted Passon, 3:00, video, Philadelphia
 A chance encounter at dawn between a man from the East and a man from the West.

Lo-Fi Green Sigh
 Kristin Lucas, 3:00, video, Los Angeles
 After the intergalactic apocalypse, we will play badminton.

Big Screen Version
 Aaron Valdez, 3:00, video, Iowa City
 A musical homage to the talking heads and flying graphics of Fox News.

Uso Justo
 Scott Coleman Miller, 22:00, video, Minneaplois
 When an experimental filmmaker comes to the town of Uso Justo to shoot his latest film, the residents are at first enthusiastic...

Continuum
 Ryan Jeffery, 7:00, video, Portland
 An icy world created for UK musician/producer, Scanner.

South Dakota Trilogy
 Will O'Loughlen, 3:00, video, Memphis
 What do a shoe-tree, a convicted politician and an atomic power plant have in common? They're all in South Dakota.

The Bear Hunter
 Mary Robertson, 13:43, video, Brooklyn
 An intimate portrait of one man and the complications that come with success.

A Eulogy for Memory
 Karl Lind, 2:17, video, Portland
 Forgotten family moments brought back to life.

Planet of the Arabs
 Jacqueline Salloum, 9:00, video, New York City
 A brilliantly edited mélange of found footage exploring the Arab alien--a mustache-wearing, Allah-worshipping, American-hating moron. Disturbing, yet humerous, Salloum dares to have a sense of humor about American media's mutilation of the Arab.

Kosmos
 Thorsten Fleisch, 5:11, 16mm, Berlin
 Through growing crystals directly on film, their mystical qualities shine straight to the screen. Unfiltered, only aided by light, which gracefully breaks its rays into rich visual textures.

The Ataraxians
 Ben Russell & Sabine Gruffat, 6:00, 16mm, Providence
 From the South of France, a science fiction film about the end of the leisure class and what came to replace it.

Harmony
 Jim Trainor, 12:00, 16mm, Chicago
 A male God bestows the gift of self-awareness upon animals and ancient cultures, which they promptly use to express guilt for their behavior.

THURSDAY, APRIL 21, 9:30
Cinema Project presents:

The Great Art of Knowing
 David Gatten, 37 min, 16mm, USA

The fourth installment of his nine-part "Byrd Project," The Great Art of Knowing chronicles the Byrd family of Virginia during the early 18th century. Gatten combines Athanasius Kircher's 17th century encyclopedia with images and words from Leonardo da Vinci and 19th century scientist, photographer and early cinema pioneer Jules-Etienne Marey.

with
Skagafjordur
 Peter Hutton, 33 min, 16mm, USA

Peter Hutton's work from the past 35 years is made up of photographed portraits of cities and natural landscapes. Using long, silent, meditative shots that reveal the subtle rhythms of each particular scene, Hutton has an eye for painterly composition and exquisite natural light. His newest film documents the stark, desolate, and stunning geography of Northern Iceland.

Cinema Project is a Portland based screening collective that is dedicated to showcasing experimental and avant-garde film and video in an intimate environment. Visit their website at www.cinemaproject.org

FRIDAY, APRIL 22, 4:30
The Birdpeople
Michael Gitlin, 61 min, 16mm, USA

A loosely-knit community of birdwatchers in New York's Central Park; ornithologists with their specimen collections at a dozen different natural history museums; bird banders gingerly extracting birds from mist nets and collecting data in upstate New York; six people searching for an extinct bird in a Louisiana bayou: these are the strands that are woven together by The Birdpeople as it documents a passionate fixation. Part cultural history, part self-reflexive anthropology, by turns humorous and elegiac, The Birdpeople examines the pleasures and problems of looking and naming, and investigates the social construction of nature, centered on ornithology and its amateur counterpart, birdwatching.

The images of birds in the film, optically printed from Kodachrome Super-8, form a re-occurring counterpoint to the portraits of the bird people. Rather than bringing the birds into an anthropomorphized and sympathetic relationship to the viewer, these worked-over images foreground the birds' inassimilable otherness and the strange edges of their beauty.

Proceeded by
Under Foot and Overstory
 Jason Livingston, 35 min, 16mm, USA

A short documentary about a group of citizens trying to save a local park, or at least trying to compose a paragraph about saving a local park.

FRIDAY, APRIL 22, 7:00
Occupation: Dreamland
 Garrett Scott and Ian Olds, 85 min, video, USA
 Garrett Scott in attendance!

OCCUPATION: DREAMLAND is the melancholy portrait of a squad of American soldiers deployed in the doomed Iraqi city of Falluja during the winter of 2004. A collective study of the squad unfolds as they patrol a bewildering environment of low-intensity conflicts creeping steadily towards a catastrophic assault that effectively destroys the city. The filmmakers were given access to all operations of the Army's 82nd Airborne and their film gives voice to soldiers held under a strict code of authority as they cope in an ambiguous, often lethal environment.

Garrett Scott is an award winning filmmaker, who recently returned to the US from Iraq, where he had been for almost a year shooting his Occupation: Dreamland. His film "Cul-de Sac: A Suburban War Story," was a huge hit here at the 2002 PDX Film Festival, and we are excited to host him as a featured artist at this year's festival. Garrett was featured prominently by Filmmaker Magazine as one of the "20 new faces in film to watch" in 2002. His directorial debut, Cul de Sac: A Suburban War Story, premiered at the 2002 Toronto International Film Festival and has since screened around the world and broadcast on the Sundance Channel. In addition to Occupation: Dreamland, Garrett is working on a documentary about city politics in San Francisco in the 1970's.

Garrett, who is a featured guest of the festival, will be present for screenings of Occupation: Dreamland and Cul de Sac, discussing the films and taking questions from the audience after the screenings.

FRIDAY, APRIL 22, 9:30
Shorts Program #2 (total running time 76 minutes)
 
He's Got the Power
 Hilda Rasula, 2:34, video, Toronto
 A neo-femme found footage collage.

Cats and Pants
 Jennifer Matotek, 1:00, video, Hamilton
 Simply cats and pants, one still image after the other, a literal interpretation.

Cremassticparkinator III
 John Allen Gibal, 6:00, video, Pittsburgh
 Examining the synchronicities shared between the film Cremaster III, Jurassic Park III, and Terminator III, one must wonder what Matthew Barney's influences are.

La Ardilla
 Jim Finn, 3:00, video, Chicago
 About love and rodents, from the La Lotería series of soundtrack videos

What I'm Looking For
 Shelly Silver, 15:00, video, New York City
 An adventure at the intersection between public space and the Internet, still and moving images, desire and the act of looking.

Amore
 Julie Soragose, 1:00, 16mm, Vancouver, BC
 A hand-processed regular 8mm film reveals identity, anxiety, and the importance of learning to love oneself.

Altitude Zero
 Lauren Cook, 5:00, 16mm, Iowa City  By dissecting and reconstructing the filmic corpus (Amelia Earhart, a hot-leg contest, and gorgeous screen babes), Altitude Zero is a palimpsest of cinematic representation.

Spinart and Monoprint
 Eric Ostrowski, 2:34, 16mm, Seattle
 Paint and ink squirted on strips of film as it ran through a Spinart, creating an array of vibrant patterns.
 
Buffalo Lifts
 Christina Battle, 3:00, 16mm, San Francisco
 A herd of buffalo desperately tries to hold on as they cross the film frame.

For The Record
 Carolyn Faber, 7:30, 16mm, Chicago
 For the Record is made from a discarded roll of security camera film from a grocery store. The camera photographed the customer and their check simultaneously.

Umm
 Hilda Rasula, 2:01, video, Toronto
 A found footage a cappella arietta for female choir.

Twenty-Six
 Randall Wakerlin, 1:00, video, Portland
 One year of my life in 36.6 seconds.

Good Morning Children
 Jess McLean, Pittsburgh, 2:00, video Pittsburgh
 An eye-popping bombardment into the frenetic world of breakfast cereal packaging.
 
Magic Hostess
 Rob Tyler, 3:51, video, Portland
 An insightful look into one of the most powerful and commanding kitchen appliances ever designed: the electric can opener.
 
Spam Letter + Google Search = Video Entertainment
 Andre Silva City, 3:00, video, Iowa City
 Each word of a spam letter is matched with one of hundreds of available online images that pertain, however obscurely to that word.
 
Large Gourd
 Justin Cooper, 6:00, video, Chicago
 Large Gourd explores issues of control through the behavior of a depersonalized "subject" in direct opposition with broader cultural mores and the consequences that result form this conflict.

Mother-In-Law Descending a Staircase
 Kent Lambert, 1:00, video, Chicago
 Something weird is coming towards you on the stairs.

Eventide
 Cassandra C. Jones, 5:08, video, Ojai, CA
 A compilation of 1,391 individual found photographs of the sunset from around the world.

SATURDAY, APRIL 23, 1:00
Shorts Program #3 (total running time 88 minutes)
 
Full Time Less
 Chris Larson, 4:06, video, Portland
 My days pass behind a desk. At least I have a window. My view points out away from other buildings (identical) in the office park.

Solar Kaffi
 Nicole Linde, 3:00, video, Portland
 Every year the people of the eastern Fjords celebrate the first rays of light that reach over the mountaintops by drinking loads of coffee. Shot in Seydisfjordur, Iceland.

Underfoot
 Melinda Stone, 7:00, video, San Francisco
 A playful, ruminative study of the ephemeral sidewalk frontier emerging from San Francisco pedestrian by-ways.

Me Myself and I
 Kelly Spivey, 3:00, video, Flushing, NY
 Hand-processed, black and white film animation using paper dolls, magazine cutouts and vintage valentines to play with ideas of metamorphoses, gender variance, narcissism, and (somewhat subliminally) President W. Bush.

Where's Eddie
 Jalal Jemison, 11:00, video, Portland
 An alien boy falls to Earth and tries to get directions to Center Street.

Multiple Personality
 Kurt Nishimura, 1:56, video, Portland
 Computer animation that interprets the human mind and uses hermit crabs to represent personality.

Time Out
 Carl Diehl, 4:09, video, Eugene
 Time-based space montage spars with space-based time collage while each anachronistic entity vies for your semblance of "now".

Ed Goes Home
 Jason Halprin, 3:00, video, Milwaukee
 This animation pays respect to author and activist, Edward Abbey.

Septik Bioethic (Please)
 Ferreira Patrice, 12:00, video, Bordeaux, France
 A view of a Tokyo subway station through upside-down, double-vision glasses.

Goat Chase Raccoon
 Orland Nutt, 2:00, video, Portland
 In the majestic palace filled with coin operated movie machines, 25 cents buys you one minute of Goat Chase Raccoon, located in the North tower, machine number 37B.

Godmakers
 Matt Genz, 6:13, video, Portland
 An interaction of three simultaneous projections questions media and memory.

The Ladybug and the Swan
 Kira Randolph, 7:00, video, Ithaca
 "After every period of time which has at some instant an end, there must be another period of time. For either there will be swans subsequent to a period T, or there will not."

I Cannot Understand You
 David Baeumler, 5:44, video, Boston
 Don't fear life's misunderstandings-let a philosophical tape recorder be your guide to a world of fireworks, flowers, and thrill-rides.

The Birthday
 Stephen Slappe, 8:42, video, Portland
 Describes the reproduction of human life through scientific experimentation, haunting score of electronic improvisations by Rob Walmart.

SATURDAY, APRIL 23, 3:30
A Darkness Swallowed
 Betzy Bromberg, 78 min, 16mm, L.A.

A Darkness Swallowed is experimental filmmaker Betzy Bromberg's most abstract and most intimate work - and perhaps her most beautiful in a list of films that have continually shattered and expanded conceptions of beauty. The camera sensually explores a range of hues that go from the golden amber of light reflected through murky waters and resin sculptures, to the light gray and pale green of subtle, fragile Japanese-like compositions. A dark, brooding, richly textured soundtrack echoes the film's journey through a metaphorical, surreal landscape. Like a whisper, invisible traumas and imaginary memories haunt the cinematic space, sending the viewers back to their own swallowed darkness.

SATURDAY, APRIL 23, 6:00
Cul De Sac
 Garrett Scott, 60 min, video, New York
 Garrett Scott in attendance!

In 1995, Shawn Nelson, an unemployed plumber from San Diego, stole a US Army tank and ran amok for 30 minutes through his home suburb of Clairemont. until he as taken down by police gunmen. News stories covered Nelson's rampage as a random act of violence by yet another disgruntled nutcase, but through interviews with Nelson's friends and family and archival footage of San Diego's military industry, Scott reveals a societal climate destabilized by entry into a globalized, unfamiliar 21st century.

Proceeded by
Things are a Certain Way
 Mike Plante, 15:00, video, Los Angeles
Recovery and existence in a small desert town. "Things are a certain way... And that's the way they are."

SATURDAY, APRIL 23, 9:00
THE FOURTH ANNUAL
 Peripheral Produce Invitational

The Saturday Night Main Event: Also known as the World Championship of Experimental Cinema, The Peripheral Produce Invitational is a rock-em-sock-em battle royal of experimental cinema. Ten filmmakers-from Portland and beyond- will compete in this flickering film showdown in which you, the audience, will decide the winner.

Last year, the competition was stiff, but in the end, nobody could stand up against the firepower of Vladimir and her 400 View-Masters. Will she prevail again this year, or is it time for a new champion to emerge? There is only one way to find out...

Returning Champ:
 Vladimir

Challengers:
 Harrell Fletcher
 Roger Beebe
 Bryan Boyce
 Deborah Stratman
 Cat Solen
 Gretchen Hogue
 Andrew Blubaugh
 E*Rock
 Eric Ostrowski
 Jesse England
 Steev Hise
 Slinky
 Melissa Tvetan

The rules: Each competitor must be present with a new film, video, or cinematic presentation never before seen in Portland. ballots are handed out to the audience, and who ever gets the most votes goes home with the trophy.

PLEASE JOIN US IN CROWNING THE CHAMPION AT THE INVITATIONAL VICTORY PARTY IMMEDIATELY FOLLOWING THE SCREENING AT GALLERY 500 (420 SW WASHINGTON). WITH SPECIAL VIDEO INSTALLATIONS FROM LO-VID AND RECORD SPINNING BY MICHAEL GERSTEN.

SUNDAY, APRIL 24, 1:00
Shorts Program #4 (total running time 83 minutes)
 
Taubman Sucks
 Theo Lipfert, 7:00, video, Bozeman
 A man 's undying love of a shopping mall makes Internet legal history.

La Famiglia
 Aaron Wilde, 20:00, video, Los Angeles
 More than a media center--the Echo Park Film Center is a cinematic revolution?

The World is at Your Feet
 Russ Forster, 7:50, video, Chicago
 60s science-class film + sumptuous + foot fetish teaser.

Randy Stiller
 Michael Paulus, 2:00, video, Portland
 Uses stills to find the true source of the recorded telemarketer who calls my home phone constantly.

Say Yes To Drugs
 Karl Krogstad, 7:30, video, Seattle
 Drugs!!! Hypocrisy!!! The best seven-and-a-half minutes of your life!!!

Cat & Cake
 Gideon D. Klindt, 7:35, video, Portland
 2004: burger flipping becomes manufacturing job and mad-cow disease hits Oregon. This animation marries the two ironic events by beef.

Heritage
 Uli Beutter, 2:00, video, Portland
 Bunuel films meet Nazi footage to provide the historical recollection of a German woman.

Dusty Jackets
 James Horn, 1:00, video, Portland
 A snappy creation made from photocopies, record covers, tape, a toothbrush, and H20. Long live D.I.Y. cinema!!!

Below
 Edward P. Davee, 6:30, video, Portland
 Shot on a "sewer cam," a small, remote-controlled camera travels from manhole to manhole through underground drainage pipes.

Incalculable Up and Down
 Amy Ciesielski, 4 min, 16mm, Ithaca
 High contrast flips, bicycles, children, and super-cool, gritty optical printer texture.

Old Dark House
 Ben Rivers, 3:30, 16mm, Brighton, UK
 Uses multiple superimpositions of a single torchlight to reveal rooms in an abandoned derelict house.

Reckless Eyeballing
 Christopher Harris, 13:00, 16mm, Orlando
 Taking its name from the Jim-Crow-Era crime of black men looking at white women, this hand-processed, optically printed amalgam reframes desire by way of everything from D.W. Griffith to Foxy Brown and Angela Davis: "Your lover belongs to this band of murderous outlaws."

SUNDAY, APRIL 24, 3:15
Kings of the Sky
 Deborah Stratman, 68 min, video, USA

An experimental documentary about resistance, balance, and fame. Kings of the Sky follows tightrope artist Adil Hoxur as he and his troupe tour China's Taklamakan desert amongst the Uyghurs, a Turkic -Muslim people seeking to preserve religious and political autonomy. Since he first broke the Guinness World Record in 1997, Adil has become an inadvertent national icon for his people's struggle in the face of increasingly harsh Chinese repression. By portraying the intimate details of everyday life amidst the troupe, Kings of the Sky reveals to those unfamiliar with Uyghur culture, the small truths which together form a sense of national and political identity.
 
Proceeded by
The Head of a Pin
 Su Friedrich, 21 min, video, USA

A personal portrait of the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature.

SUNDAY, APRIL 24, 5:30
Shorts Program #5 (total running time 78 minutes)

From Pompei to Xenia
 Kevin Everson, 4:40, 16mm, Charlottesville
 Love and Loss surrounded by two historical disasters.

Slow Force Glimpse
 Brook Hinton, 3:39, video, San Francisco
 A feverish reverie in which images glimpsed from a train window become lodged in a dream-like world of menace and beauty.

Glass Crow
 Steven Subotnick, 6:20, video, Providence
 Through simple animation, this piece is a meditation on the 'Defenestration of Prague'- the spark that began the Thirty Years' War. Richly layered images evoking nature, humanity, and heaven explore this moment in history.

All White People are French
 Katja Straub, 12:00, video, Austin
 A childhood memory is told by an African living in Berlin. These stories of African magic meet drawings on the walls of a prison in Berlin, where refused asylum seekers are kept prior to their expulsion to their countries of origin.

Agua
 Enie Vaisburd, 6:00, video, Portland
 Agua is a video about trying to stay afloat.

The Lighthouse
 James Fotopoulos, 10:00, video, Chicago
 Reduced to rhythm and texture, the lights that lead us home reveal signs and cathode ray wonders.

24 seconds
 Linda Kliewer, 6:25, video, Portland
 This piece was created in response to the Portland Police killing of James Jahar Perez during a traffic stop. Perez was a black man driving a nice car in the wrong neighborhood in Portland, Oregon. Within 24 seconds of being pulled over he was dead. I wanted to make a video about that time: 24 seconds.

How to Fix the World
 Jackie Goss, 28:00, video, New York
 A digitally animated adaptation of Soviet psychologist A.R. Luria's research in Central Asia and interviews with Uzbek and Kyrgyz farmers who lived on or near the Soviet-sponsored collective farms in the 1930's. the Soviets had introduced literacy programs into these primarily Muslim oral-based agricultural communities, and interested in documenting the cognitive changes that people experience when learning to read, Luria captured the cultural conflict of Soviet Socialism and Islam. In HOW TO FIX THE WORLD, these interviews are brought to life through digital animation, illustrating a particular historical moment when one culture attempted to transform another in the name of education and modernization.

SUNDAY, APRIL 24, 8:00
Me and You and Everyone We Know
 Miranda July, 95 min, 35mm, USA

 FILMMAKER IN ATTENDANCE!
With her incredibly auspicious debut feature, Me and You and Everyone We Know, the acclaimed multimedia performance artist Miranda July makes the leap to feature filmmaking with such skill and original vision it's hard not to feel a tremor of excitement. A new voice in American cinema has arrived.

July's film is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson (July herself) is a lonely artist and eldercab driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey (John Hawkes), a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's 7-year-old Robby, who is having a risqué Internet romance with a stranger, and his 14-year-old brother Peter, who becomes the guinea pig for neighborhood girls practicing for their future of romance and marriage.

In July's modern world, the mundane is transcendent, and everyday people become radiant characters who speak their innermost thoughts, act on secret impulses, and experience truthful human moments that at times approach the surreal. They seek togetherness through tortuous routes and find redemption in the small moments that connect them to someone else on earth.- Shari Frilot, Sundance Film Festival
Miranda July makes movies, performances, recordings and combinations of these things. Her short movies ( Haysha Royko, The Amateurist, Nest of Tens, Getting Stronger Every Day) have been screened internationally at sites such as the Museum of Modern Art and the Guggenheim Museum. Nest of Tens and a sound installation, The Drifters, were presented in the 2002 Whitney Biennial. July participated in the 2004 Whitney Biennial with learningtoloveyoumore.com, created with support from the Creative Capital foundation and in collaboration with artist Harrell Fletcher. July's multi-media performances (Love Diamond, The Swan Tool, How I Learned to Draw) have been presented at venues such as the Institute of Contemporary Art in London and The Kitchen in New York. July's stories can be read in The Paris Review and The Harvard Review and her radio performances can be heard regularly on NPR's The Next Big Thing.

A resident of Portland for nearly 10 years before relocating to Los Angeles to shoot "Me and You and Everyone We Know," we are please to welcome her back and excited to have this opportunity to see her new work.

http://www.peripheralproduce.com/pdxff.php

SUNDAY, APRIL 24, 9:30 Closing Night Party
at Masu Sushi Bar
406 SW 13th Ave
Portland, OR 97214