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FILMS:

Talk To Her

Tie Me Up! Tie Me Down

What Have I Done To Deserve This?

High Heels

All About My Mother

Dark Habits

Live Flesh

Women On The Verge Of A Nervous Breakdown

Law Of Desire

Kika

Bad Education

The Flower Of My Secret

 
 
 
 
 
The release of BAD EDUCATION (Mala Educacion, 2004) serves as a benchmark in the career of Spain's most critically acclaimied filmmaker since Luis Buñuel. The Visit, the short story upon which BAD EDUCATION is based, was the first manuscript the then 26 year-old Almodóvar submitted for copyright in 1975, the year of Franco's death. Since that time Almodóvar has created a wholly delirious and increasingly impressive body of work. Almodóvar's world is as passionate as it is dysfunctional, colored by junkies, femmes fatales, priests, transsexuals, and incredibly shrinking men. Never shy from controversy, Almodóvar has honed a filmcraft that has earned comparisons across the filmmaking canon, from Alfred Hitchcock to John Waters. Each film rests squarely on the shoulders of its predecessor as a chapter in the career of a master filmmaker.
 
 

TALK TO HER
SPAIN 2002 DIRECTOR: PEDRO ALMODOVAR
APR 15 17 FRI 8.30PM (NOTE TIME CHANGE) SUN 4:45 PM WHITSELL AUDITORIUM
When Benigno (Javier Cámara) and Marco (Darío Grandinetti) first meet, it is at a ballet performance, where both are unmistakably moved by the passion of art. Their next meeting finds them caring for their respective loves in a home for coma patients. Almodóvar's intricately crafted tale of misdirected desire and impossible romance revisits the director's obsessions with bullfighting, silent cinema, and, of course, sex. “TALK TO HER shows how reliable [Almodóvar] has become at marrying suspense, comedy and tragedy. . . balancing several tones at once, answering questions and simultaneously deepening the mystery.”—Elvis Mitchell. (112 mins.)

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TIE ME UP! TIE ME DOWN!
SPAIN 1990 DIRECTOR: PEDRO ALMODOVAR

APR 16 17 SAT 7 PM, SUN 7 PM WHITSELL AUDITORIUM

Ricky (Antonio Banderas, in his breakthrough role) is a recently released mental patient, obsessed by adult film star and drug addict Marina (Victoria Abril), with whom he once shared a midnight tryst with. Driven by freedom, decaying sanity, and love, Ricky decides to persuade Marina to love him by the only way he knows how —abduction. What on the surface should be the crime of an obsessed stalker becomes a masochistic love affair. Meanwhile, Marina's former boss (Spanish screen legend Francisco Rabal) and sister (Loles León) take their own obsessive routes in order to find Marina, and try to save her. (111 mins.)

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WHAT HAVE I DONE TO DESERVE THIS?
SPAIN 1984 DIRECTOR: PEDRO ALMODOVAR

APR 22 24 FRI 7 PM, SUN 4:45 WHITSELL AUDITORIUM

Gloria (Carmen Maura) shares a Madrid apartment with husband Polo (Luis Hostalot), two self-destructive young sons, and a megalomaniacal mother-in-law. Driven by equal parts No-Doze and inhalants, Gloria attempts to cope with her dysfunctional family. Almodóvar displays the metered discipline of later films with his kaleidoscope of characters and their deadpan delivery of the most outrageous dialogue. (101 mins.)

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HIGH HEELS
SPAIN 1991 DIRECTOR: PEDRO ALMODOVAR

APR 23 24 SAT 7 PM, SUN 7 PM WHITSELL AUDITORIUM

Almodóvar staple Victoria Abril plays Rebeca, a Madrid television news star who has never seemed to measure up to her movie star mother (Marisa Paredes). Rebeca makes every attempt to compete with her overbearing mother, from marrying a former stepfather to seducing a drag queen playing her mother to admitting on national television to the murder she believes her mother has committed. Thus begins Rebeca's redemption, at the hands of an affectionate detective and her incarcerated compatriots. Featuring Javier Bardem, Bibi Anderson, and an unforgivable prison musical sequence, HIGH HEELS marries Almodóvar's frenetic visual style with the noir tones of his later masterworks. (112 mins.)

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ALL ABOUT MY MOTHER
SPAIN 1999 DIRECTOR: PEDRO ALMODOVAR

APR 29 MAY 1 FRI 7 PM, SUN 4:45 PM GUILD THEATRE

A tribute to the great actresses of stage and screen, Almodóvar explores the roles played by women both publicly and privately. Combining elements of ALL ABOUT EVE, A STREETCAR NAMED DESIRE, and Truman Capote's MUSIC FOR CHAMELEONS, this heady drama is the director's first world-acknowledged masterpiece. “Almodóvar's talent has always been acknowledged as unique, but ALL ABOUT MY MOTHER demonstrates how great it is as well. . .His trademark mixture of humour and emotion is still evident here but with a greater accent on emotion, evoked with insight and delicacy.” —José Arroyo, SIGHT AND SOUND. 1999 Academy Award for Best Foreign Film (101 mins.)

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DARK HABITS
SPAIN 1983 DIRECTOR: PEDRO ALMODOVAR

APR 30 MAY 1 SAT 7 PM, SUN 7 PM GUILD THEATRE

Pointedly blasphemous and sublimely bizarre, Almodóvar's early film takes on the Catholic church with brash incisiveness. Yolanda (Cristina Sánchez Pascual), a washed-up torch singer with a heroin habit seeks refuge from gangsters inside the (seemingly) chaste walls of a convent. Naturally, Almodóvar's Mother Superior is a drug-addled lesbian (Julieta Serrano), and the convent's cast of characters include an erotic novelist and an acid dropping nun who communes with Christ. DARK HABITS is both a love letter to and a blissful tearing-down of the tradition of convent films that the director was raised on. (114 mins.)

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LIVE FLESH
SPAIN 1997 DIRECTOR: PEDRO ALMODOVAR

MAY 5 7 THUR 7 PM, SAT 9 PM GUILD THEATRE

Based on a novel by English crime author Ruth Rendell, Almodóvar's taut mystery is one of his darkest and most sexually intense. The brutal shooting of a beautiful Italian junkie (Francesca Neri) links the victim with policeman David (Javier Bardem) and Victor (Liberto Rabal), the man who gets sent up for the crime. When Victor gets out of jail he finds Elena married to David, left paraplegic by the shooting. As a form of obsessive affection, Victor becomes the lover of Elena and David's friend Clara (Ángela Molina), a sex-starved policeman's wife. Featuring Penelope Cruz in the most memorable opening sequences of the director's career. (103 mins.)

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WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN
SPAIN 1988 DIRECTOR: PEDRO ALMODOVAR

MAY 6 7 FRI 7 PM, SAT 7 PM GUILD THEATRE

WOMEN ON THE VERGE made the director into an international cinema icon. In typical Almodóvar style, the film weaves an array of colorful characters into a single, manic-depressive symphony. Carmen Maura highlights as the heroine Pepa, a TV star heartbroken by her lover Ivan (Fernando Guillén), and desperate to find her bearings. “Mr. Almodóvar sets out to charm rather than shock. That he succeeds should not come as a surprise. The common denominator of [his] films. . .is their great good humor.” —Vincent Canby, NEW YORK TIMES. (90 mins.)

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LAW OF DESIRE
SPAIN 1987 DIRECTOR: PEDRO ALMODOVAR

MAY 12 14 THUR 7 PM, SAT 7 PM WHITSELL AUDITORIUM

Oft-compared to the director's more mature ALL ABOUT MY MOTHER, this tale of obsession and emotional excess stands as one of Almodóvar's strangest. A pre-Hollywood Antonio Banderas stars as Antonio, a charmingly neurotic fan of playwright Pablo Quintero (Eusebio Poncela). After seducing the object of his obsession, Antonio becomes homicidally possessive, eventually killing Pablo's former lover. In true form, a family crisis is introduced, with Pablo's transsexual sister (Carmen Maura) landing a role in one of his plays, and the director falling victim to amnesia. In the tradition of the subversive melodramas of Sirk and Fassbinder, LAW OF DESIRE remains one of Almodóvar's moodiest and most sordid films to date. (102 mins.)

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KIKA
SPAIN 1993 DIRECTOR: PEDRO ALMODOVAR

MAY 13 14 FRI 7 PM, SAT 9.15 PM WHITSELL AUDITORIUM

Perhaps the most deliberately naughty of Almodóvar's films, KIKA blends satire with camp — offering an outrageous commentary on media and desire. Kika (Verónica Forqué, AY CARMELA) is a ditzy makeup artist in a love triangle between Nicholas (Peter Coyote), an American writer, and Ramon (Alex Casanova), his stepson. Where Kika ends up is in the center of a national media blitz, when Ramon's ex-lover Andrea (Victoria Abril) captures Kika being raped and broadcasts it onto national television. While disarming on the surface, KIKA is a maturely insightful, late-20th century at the voyeurism and angst of the television age. (114 mins.)

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BAD EDUCATION
SPAIN 2004 DIRECTOR: PEDRO ALMODOVAR

MAY 19 21 THUR 7 PM, SAT 9:15 PM WHITSELL AUDITORIUM

The latest and most self-assured of his career, BAD EDUCATION is also regarded as Almodóvar's most personal film to date, a nostalgic trip through childhood memories of love, trauma, and cinema. Enrique Goded (Fele Martinez) is a successful young filmmaker who seems to have reached a premature creative apex, eventually resorting to culling through the tabloids for material. As a narcissistic and critically-adored artist, Enrique is shocked from his ennui by the visit of a former schoolmate and lover, Ignacio (Gael Garcia Bernal). Ignacio, now an overly ambitious stage actor, pitches a screenplay to Enrique, “The Visit,” which conjures memories of sexual abuse at the hands of their boarding school priest Father Manolo. Soon, as Enrique begins filming, it becomes clear that “The Visit” is a footnote to a larger, more intense human drama. As elegantly baffling as the noir of Hitchcock and Tourneur, BAD EDUCATION is an exultant work of cinema, a tragic love song from an inspired genius.(109 mins.)

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THE FLOWER OF MY SECRET
SPAIN 1995 DIRECTOR: PEDRO ALMODOVAR

MAY 20 21 FRI 7 PM, SAT 7 PM WHITSELL AUDITORIUM

Leo Macias (Marisa Paredes) is the writer of lavish romance novels, sent into an emotional and creative swan dive when she realizes her husband isn't in love with her. Leo's last gasp at a life of her own comes in the form of a new identity - Amanda Gris - her pen name at a large newspaper. In a true Almodóvarian turn, Leo's greatest success as Amanda Gris is an unflinching tearing-down of the sentimental work of novelist Leo Macias. Inspired by Dorothy Parker, THE FLOWER OF MY SECRET is Almodóvar's most understated, witty statement of love and ambition. (103 mins.)

 

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