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For 30 years, the Academy of Motion Picture Arts and Sciences has bestowed
special awards upon films produced by students. Although some of the filmmakers
have just barely finished school, many of these works rival in talent
and production quality anything that Hollywood has to offer. The films
selected in tonight's round of judging will join finalists from the rest
of the country for the final selection and awards at the Samual Goldwyn
Theatre in Hollywood. An opportunity to witness the next Spike Lee, Trey
Parker, and Robert Zemekis—all former Student Academy Award winners—before
they hit it big.
FREE ADMISSION
We begin a monthly series of recent
feature and documentary films sponsored by the Sundance Channel with Michael
Winterbottom’s IN THIS WORLD, winner of the 2003 Golden Bear for
Best Film at the Berlin Film Festival. Born in the Northwest province
of Pakistan, Jamal and a fellow refugee Enayatullah are young Afghan refugees
seeking asylum in the UK and are the subjects of Winterbottom's compelling
and all too relevant film. Joining the ranks of the millions of refugees
who place their lives in the hands of refugee smugglers, the film follows
Jamal and Enayatullah as they set out to travel overland to London, passing
through Iran, Turkey, Italy and France, in a journey which is so arduous
and life threatening that one is constantly aware of the desperation that
lies behind it. Winterbottom and writer Tony Grisoni manage to strike
a fine balance between the fictional and documentary elements of the film,
harnessing the intimate and immediate possibilities of DV production.
More importantly, through the individual stories, they allow us to peer
behind the headlines at the human story and the broader political and
moral concerns at stake. (88 mins.)
Sponsored by the Sundance Channel. Admission
is free for Film Center and Art Museum Members.
Anyone who celebrates family, history and
culture (never mind what religion) will delight in and be inspired by
Gluck’s witty and charming work of first-person cinema. To reclaim
an ancestral couch upon which generations of esteemed rabbis and family
slept, Gluck travels from her Hasidic community in Brooklyn to find her
roots, and the heirloom divan, in Hungary. Along the way, a colorful cast
of characters punctuate the journey and telling of the tale—her
ex-communist cousin in Budapest, a used furniture salesman, a zealous
upholsterer, a pair of matchmakers, a renegade group of fellow, formerly
ultra-Orthodox friends, and a disapproving father who wishes she would
stop with filmmaking and research, return to Orthodox values, and “just
get married like a woman is supposed to.” “Charming! Warmhearted
but unsentimental, touching but not mawkish, clever but never cute.”—J.
Hoberman, VILLAGE VOICE. In Hungarian and Yiddish (with subtitles) and
English. (77 mins.)
Almost impossible to categorize,
HUKKLE is a poetic and delightfully comic murder mystery in the rustic
Hungarian countryside. The almost-silent story opens on a weathered old
man seated on an outdoor bench with a chronic case of the hiccups (the
title is a play on that word) and features a cast of local characters
and a bevy of wild animals, not to mention a fighter jet and a series
of suspicious deaths. Pálfi weaves these naturalistic images and
shots of everyday rural life, revealing the underlying coherence of seemingly
random scenes of life and death. "TWIN PEAKS meets MICROCOSMOS”—Palm
Springs Film Festival. “You’re in for an unforgettable experience,
a microcosmic cornucopia of delights. The operating word for this movie
is pretty much: Wow!”—WASHINGTON POST. European Film Award
for Best First Film. (75 mins.)
Looking for a getaway, from her routine
and also somewhat from her longtime boyfriend Andrea, Stefania takes off
on holiday to Greece. What she wasn't expecting is that her 14-year-old
niece, Megghy, has decided to tag along, determined to make hers a summer
vacation to remember. Luchetti, working from a screenplay by Stefania
Montorsi (who also plays Stefania in the film), offers a wry and revealing
look at the dreams, illusions and realities of love and romance as they
play across very different generations. A light-hearted “comedy-of
errors” set on the Greek island of Los, GINGER & CINNAMON is
“made up of chatter and misunderstandings, myths, sweets, sun rashes,
Homeric questions, fixations, broken diets, antihistamines, and messages
of love. . ." —Stefania Montorsi. (105 mins.)
Sponsored by the Sundance Channel. Admission
is free for Film Center and Art Museum Members.
In the 1970s, at the height of political
oppression in Poland, the late Krzysztof Kieslowski (THE DECALOGUE, RED,
WHITE, BLUE) wrote this wry, subversive commentary on the perils of offbeat
behavior and the paranoid intolerance of those who always conform. Zygmut
Sawicki (Jerzy Stuhr) is a small-town bank clerk who one day finds a camel,
escaped from a circus, in his garden. He and his wife soon love the camel,
as do the townsfolk. But soon the community starts getting tired and suspicious
of the animal, becoming hostile when various schemes to make money off
the "attraction" are flatly refused by Zygmut. So the Sawicki
family bears the brunt of ostracism until the camel takes matters into
his own. . . hands. "Can someone love. . .a camel? By choosing something
that isn't understood by normal standards, we bring upon ourselves loneliness,
ill feeling and anger of others. This film shows how intolerance is bred."
—Jerzy Stuhr. “A gentle, comic fable about the price of individuality
and the value of dignity.” —VARIETY. (75 mins).
Winner of the Special Prize at the Cannes
Film Festival, MILLENNIUM MAMBO is a piercing record of the quickly shifting
lifestyles of an increasingly modern world. At the turn of the millennium,
youth culture in Taipei is a techno-driven world of dark nightclubs, cramped
apartments, nonstop smoking, and volatile relationships. Vicky is a beautiful
woman whose difficult boyfriend contributes to the claustrophobia and
alienation that pervade this urban story. Unfolding in shards of memory,
Hsiao-hsien’s (FLOWERS OF SHANGHAI, CITY OF SADNESS) vibrant, mesmerizing
film, shot by Mark Lee Ping-bing (IN THE MOOD FOR LOVE), captures the
brilliant flash and utter fragility of youth on the edge of adulthood.
"Startling. Delirious, tangy sexiness."—Elvis Mitchell,
THE NEW YORK TIMES. “ONE OF THE TOP 10 FILMS OF THE YEAR”—
VILLAGE VOICE Critics Poll, 2003. (119 mins.)
“A portrait of Beat artist Ray Johnson
(1927–1995), whose life and death—and all the art that came
in between—made him ‘New York’s most famous unknown
artist” —NEW YORK TIMES. An enigmatic, whimsical latter-day
Dadaist, collagist extraordinaire, and the father of mail art, Johnson
amused and astounded his who’s-who-in-the-art-world list of friends.
HOW TO DRAW A BUNNY fashions a biographical mystery from fascinating,
often hilarious stories told by Johnson’s contemporaries, including
Christo, Chuck Close, Roy Lichtenstein, Judith Malina, Richard Feigen,
James Rosenquist, and the Sag Harbor detective who investigated his mysterious
1995 death. With original music written and performed by Max Roach.”—Film
Forum. (90 mins.)
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