| After stints an animal rights advocate,
actor, and inventor (with a U.S. patent to her name) Vancouver, Washington
resident Rebecca Rodriguez aimed her sights at writing and directing films.
Armed with her first script, she headed to the Sundance Film Festival
in 2000 looking for inspiration. Four weeks later she produced her first
short film, which a month later premiered at the Seattle International
Film Festival. COMING UP EASY, her first feature, tells the story of two
sisters, each escaping from an abusive childhood in a different way. Lily
buries herself in books at the library, while Denice struggles to hold
a marriage together with her drug-addicted husband. When Denice shows
up at Lily's door, she is forced to find a way to lead her sister from
her destructive pattern. Along with her new feature, Rodriguez will screen
her earlier shorts, including the romantic, toilet-humored FLOATER (2000)
and the traumatic, terror-minded BLIND MICE (2003). Though her films all
differ in style, Rodriguez manages a pervasive sense of humor in her work,
sometimes dark, often subtle, and usually just in time to release you
from some unsettling circumstance. (120 mins.)
Portland's animation powerhouse Vinton Studios is home to some of the
world's most sought after talents. In its 28-year history the studio has
earned 11 Emmy awards, several Oscar nominations, countless festival prizes
and is currently in production on Tim Burton's new feature film CORPSE
BRIDE. Well-known for their commercial character animation work (from
The California Raisins to the talking M&Ms) Vinton animators are equally
devoted to creating ambitious short films that are rarely screened outside
of film festivals.Tonight's program features some of these short wonders,
as well as solo efforts independently produced by Vinton creatives. Among
the featured will be Mike Smith’s ANANDA (2004), a genre and technique-blending
tale of love in a dystopian future, and Melissa Mitchell’s INSECT
POETRY (2003), a creepy crawly look at an after-hours open mic night,
as well as some sneak peeks at new works in progress. (90 mins.)
Our last open screening brought more than 100 people out on a rainy Thursday
to watch the funny, bizarre, and surprising films that were so new, we
hadn't even seen them before they went on screen. If you missed it, here
is your chance to see what happens when we let anyone and everyone show
a film at the Guild Theatre. If you have a film you would like to see
on the big screen, call Andrew at (503) 276-4264 to reserve a spot in
the program. Admission is free.
Recent students of the Young Filmmakers Program ANIMATION class (offered
in partnership with Saturday Academy), grades 4-6, produced an exciting
new program of animated shorts. Guided by award-winning teacher Sharon
Niemczyk, students experimented in a variety of techniques and concepts
to produce their first films, which will receive public premiers at this
special screening. Join the students, family and friends for this program
of animated surprises. (60 mins.)
Admission is free.
Nick Peterson is one of Portland's true auteurs. Working in Super 16mm
with no second takes, each shot—and each subtle movement of his
performers—is a meticulously executed piece of his compositions.
Focusing on the interactions of young people falling in, out, and around
love, his films, while dialogue-free, speak eloquently. His narratives
take place in the moments between speech, when words are unnecessary,
redundant, or simply inadequate. Of his film THREE, Northwest Film &
Video Festival judge James Benning said, "The NEA should see this
film. Maybe they would again give grants to young emerging artists."
Along with his Festival favorites ONE, TWO and THREE, Peterson will screen
WEBERN TESTS, the never before seen DOG BREATH: IN THE YEAR OF THE PLAGUE,
and a new work in progress. (80 mins.)
Beginning in March 2000 in the basement of an anarchist art collective
called Martial Art, Broadcast was born of a desire by Peter Bauer, Lisa
Wells and William Leverette to screen videos in an intimate, noncompetitive
environment where directors could interact with their audience. More than
just film screenings, the three high school dropouts were actively trying
to encourage putting the power of storytelling into the hands of the people.
"Creating our own art isn't enough," said Wells. "We want
to unite artists with the common goal of creating sustainable human cultures."
Over the last four years, while similar screening series have proliferated
and gained more visibility, Broadcast’s programs at the Newspace
art studio in Southeast Portland have intentionally remained low-profile
and intimate. A small clique of loyal directors return for regular weekly
events, sometimes scheduled on the lunar calendar (until recently Broadcast
was held on the full moon) and connecting artist and audience in persoanl
fashion. Tonight's screening will feature "audience pick" award
winners and other gems from the past four years. (120 mins.)
There is no better way to kick off the season for new entries for this
November’s 31st Northwest Film & Video Festival (entries due
July 30) than by reprising the winners from last year’s Festival.
30th Festival judge James Benning, renowned for his own films and teaching
legacy at Cal Arts, combed the entries to pick the prize-winners, his
and the audience favorites condensed into ”The Best of the Festival
Tour.” Making a stop here as it circulates to other film venues
throughout the Northwest this year, this year's program includes work
by Portlander’s Matt McCormick (AMERICAN NUTRIA), Rob Tyler (BLENDER
ROTATIONTEST 1-3) and Chel White (ECLIPSE) as well as gems from filmmakers
in Seattle, Vancouver, BC and other Northwest
(90 mins.)
After the Friday evening screening, stick around for the announcement
and screening of the winner of the adidas short film competition, the
winner of which will take home a check for $10,000!
The Film Center’s Visiting Artist Programs are sponsored by The
Independent Film Channel
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