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In this lyrical parable from Tajikistan,
an unrepentant, small-time thug returns to his small village and dying
mother after a long sojourn in Moscow. Planning to sell her house for
much-needed cash, Hamro soon discovers that his mother and villagers have
pulled a fast one on him. Confronted with old, unpaid debts, his mother’s
pretty young nurse and the 10-year-old son he didn’t know he had,
Hamro comes to wish he had listened more closely to the angel on his right
shoulder. Writer-director Djamshed Usmonov captures the harsh beauty of
a land ravaged by upheaval and civil war, and leavens this fable of good
and evil with deadpan humor. In Tajik with English subtitles. (91 mins.)
Jaber lives with wife Sana in the Palestinian
refugee camp near Ramallah, north of Jerusalem. A kind, gentle man, he
ekes out a living as a traveling projectionist, and is serious in his
efforts to bring movies and burdensome equipment to his audiences of refugee
children and adults. Everyday obstacles, such as checkpoints and permits,
have put his perseverance to the test. However, when a female schoolteacher
asks him to organize a screening in Jerusalem’s old city, Jaber’s
determination to follow-through begins to erode Sana’s patience.
In Arabic with English subtitles. (85 mins.)
Assis’ debut film offers a
walk on the wild side, with its steamy mosaic of lowlifes and working
stiffs in a circle of poverty and sexual intrigue around the coastal town
of Recife. A macho butcher who’s cheating on his born-again wife,
a sexy but lonely barmaid, a flamboyantly gay hotel manager and a sinister
sadist all cross paths in what VARIETY calls "a film as sloppy, sluttish,
scruffy and vital as they are." Strikingly photographed by Walter
Carvalho (CENTRAL STATION), this "wildcat of a film" is consistently
entertaining while shocking and provocative. In Portuguese with English
subtitles. (100 mins.)
Adult audiences.
Banned for over a year by Iranian authorities,
the directorial debut of veteran producer Manijeh Hekmat vividly dramatizes
turbulent times in Iranian history through the eyes of female prison inmates.
Beginning her tale in 1984 with the arrival of tough new warden Tahereh,
Hekmat continues in 1992 and 2001, tracing the warden’s charged
relationship with Mitra, who is serving a life sentence for killing her
violent stepfather. Touching on such taboo topics as political activism,
corruption, prostitution, drug use and homosexuality, this fascinating
film also casts Pegah Ahangarani in multiple roles representing the changing
situation of Iranian youth through the years. In Farsi with English subtitles.
(106 mins.)
This Cuban first feature
is a comical look at bureaucracy and red tape in Havana. Carla, a bored
postal clerk who frequently thinks about her parents in Miami, takes to
stealing mail and rewriting letters to brighten the lives of their addressees.
This Amélie-wannabe sets out to fix lovers’ quarrels and
family feuds. With all its whimsy and style, the film poignantly explores
issues of migration and separation that are specifically Cuban: the desire
to lead a better life elsewhere, countered by a yearning to solve problems
at home. In Spanish with English subtitles. (93 min.)
This intense, action-packed melodrama depicts
a family’s struggle to survive in the midst of poverty, abuse and
social unrest. Set in the early ‘90s, during the short-lived, ill-fated
reign of president Joseph Estrada, it focuses on Vanessa, a cosmetics
consultant forced to care for her mentally challenged sister after the
sudden death of their mother. Leaving her hustler boyfriend for an ostensibly
caring substitute, Vanessa soon learns about political corruption and
how the poor are manipulated and then abandoned. In Filipino with English
subtitles. (102 mins.) Adult audiences.
Set in the pre-independence India
of the 1940s, this handsomely photographed morality tale from writer-director
Adoor Gopalakrishnan is the story of Kaliyappan, an aging hangman who
has come to the conclusion his assignments have had more to do with politics
than the dispensing of justice. Realizing he has been made to hang innocent
men, he turns to the bottle when his guilt is too much to bear. While
his son makes a Gandhian protest against the death penalty, the superstitious
villagers covet the healing power of the hangman’s rope. And then
Kaliyappan receives a new assignment. . . “a mesmerizing, complex
tapestry of Gandhi-esque references to nonviolence, shamanism, and a story-within-a-story
allegory. . .[that] eschews easy ambiguities in this utterly unique film”—FILM
COMMENT. In Malayalam with English subtitles. (92 mins.)
With his bright red hair, pale skin and
childlike ways, KhormA is hard to miss in his provincial Tunisian town.
One day he takes over a job from his guardian, the official announcer
of births, deaths and marriages. Newly-empowered Khorma surprises his
unsuspecting neighbors and goes a bit too far in his entrepreneurial zeal.
An eccentric comedy of errors, Jilani Saadi’s film is strikingly
photographed with eye-catching color by cinematographer Gilles Porte.
In French with English subtitles. (100 mins.)
, a beautiful and vivacious
young schoolteacher in Algiers, survives a cold-blooded shooting by terrorist
youths. She retreats with her mother to the countryside, but they soon
discover that there are no safe havens in Algeria. The first feature written
and directed by film editor Yamina Bachir-Chouikh, RACHIDA is a moving
story about a community—particularly its women—under the threat
of terror, as well as a courageous film about the possible price of speaking
out against injustice. In Arabic and French with English subtitles. (100
mins.)
A "silent" movie with
a social conscience reminiscent of Chaplin, this satirical comedy looks
at the contradictions of modern Brazil through its own version of the
Little Tramp, an "everyman" played by Hique Gómez (who
also composed the film’s exhilarating soundtrack music). Our hero
loses his job and remains determined to throw a fantastic birthday party
for his wife Margarette, but economic reality becomes fantasy with a magical
suitcase that never runs out of cash. By turns whimsical and dark in its
humor, this musical treat remains energetic and buoyant, while never leaving
the harsh realities of contemporary Brazil far behind. No dialogue. (80
mins.)
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