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peripheral
produce and the northwest film center presents:
www.peripheralproduce.com
The Portland Documentary and eXperimental Film Festival (PDX Film Fest
for short) will take place April 15-18, 2004 at the historic Guild Theatre.
Founded and organized by local filmmakers, the festival will showcase
provocative, artistic, challenging, and firmly uncompromising films from
around the globe that are created outside of the parameters of mainstream
entertainment.
The festival, now in its second year, is an offshoot of Peripheral Produce—
an independent screening series that started in Portland in 1996 by filmmaker
Matt McCormick. Peripheral Produce is an important link within the local
film community, and has been credited as a driving force behind Portland’s
recent emergence as an important center for experimental cinema.
special guests: This year, the PDX Film Festival is very
excited to be bring famed experimental filmmaker Jem Cohen
and media-activist extraordinaire Dee Dee Halleck to
Portland. Each will present selections of their work, and engage the audience
in a discussion after each screening.
Jem Cohen is a New York-based filmmaker whose films include
the feature length Benjamin Smoke, which premiered at the 2000 Berlin
Film Festival, and Instrument, a documentary made with the band Fugazi,
which was chosen for the Whitney Biennial 2000. He has also made numerous
short films including Lost Book Found, Little Flags, and Amber City. Cohen’s
films defy easy categorization, thriving on the collision between documentary,
narrative, and experimental film. But while his work is defiantly non-commercial,
it still maintains a broad sense of accessibility. Primarily working with
Super-8 film, his films portray a stunning and vivid account of the urban
landscape. Throughout his career, Cohen has worked with several musicians
including Fugazi, Vic Chesnutt, R.E.M., Elliott Smith, Cat Power, Blonde
Redhead, and God Speed You Black Emperor. His films have been seen around
the world, from squats in Italy to the Berlin Film Festival, and can be
found in the permanent collections of the Museum of Modern Art and the
Whitney Museum of American Art.
At the Festival, Cohen will be presenting two programs of his recent shorts,
including his 1997 portrait of Elliot Smith titled Lucky Three and a clip
from his current work-in-progress feature length project Chain.
DeeDee Halleck is a media activist and co-founder of
Paper Tiger Television and the Deep Dish Satellite Network, the first-ever
grass roots community television network. She has also made several films,
including “Mural on Our Street,” which was nominated for Academy
Award in 1965, and “The Gringo in Mañanaland,” a feature
film about stereotypes of Latin Americans in U.S. films that was featured
at the Venice Film Festival, the London Film Festival, and won special
jury prize at the Trieste Festival for Latin American Film. She has led
media workshops with elementary school children, reform school youth and
migrant farmers, and, as President of the Association of Independent Video
and Film Makers (AIVF) in the seventies,led a media reform campaign in
Washington, testifying twice before the House Sub-Committee on Telecommunication.
She has also published a book titled Hand Held Visions: the Impossible
Possibilities of Community Media, published by Fordham University Press.
Halleck received a 1989 Guggenheim Fellowship and has also received three
awards for lifetime achievement: The George Stony Award from the Alliance
for Community Media; The Lifetime Achievement Award of the National Alliance
for Media Arts and Culture (NAMAC) and the Herbert Schiller Award from
the 2003 Schmooze Awards.
At the festival, Halleck will be presenting a selection of brand new programs
created for the Deep Dish Network including Shocking and Awful: A Grass
Roots Response to War in Iraq which is a series of visual commentaries
from around the U.S. that offer artistic reactions to the war on Iraq;
Scenes from the World Summit on Information Society: Showdown in Geneva
in December 2003 which documents the latest in a long series of world
summits organized by the United Nations to deal with central questions
of humanity and technology; and Scenes from the Indymedia Center at the
Fourth World Social Forum in Mumbia India, January 2004, which covers
a meeting of 100,000 human rights advocates, academics, and Nobel prize
winners who protest the growing inequities between rich and poor nations.
The 2004 Peripheral Produce Invitational: Now in its
third year, the Peripheral Produce Invitational (dubbed the “World
Championship of Experimental Cinema”) once again pits some of the
best filmmakers from Portland and beyond against each other in a rock-em-sock-em,
trash talkin’, competitive film showdown. With the filmmakers in
attendance and the audience deciding who wins, this Battle-Royal of experimental
film will feature brand new work from Andrew Dickson, Melody Owen, Aaron
Valdez, Zack Margolis and several others who aim to dethrone current PPI
champion, Trevor Fife, and walk away with this year’s trophy.
nearly 100 films including: Jacob Ocada’s documentary
Curtis (which just received an Honorable Mention award at Sundance); mind-bending
videos from the New York video duo the Half-Lifers; new films from Deborah
Stratman, Jim Trainor, and Bill Brown; Erik Gandini’s new doc Surplus;
a program of new experimental works from Europe programmed by Six Pack
Film’s Ralph McKay, AND MUCH MORE!!!
contact and information:
The 2004 PDX Film Festival is presented by Peripheral Produce and The
Northwest Film Center, and is funded in part by a generous grant from
the Oregon Council for the Humanities. For more information, please visit
our website or contact festival director Matt Mccormick at (503) 282-6082
or email to matt@peripheralproduce.com.
festival information
schedules, film descriptions, and updated festival information can be
found at:
www.peripheralproduce.com
Location
All festival screenings take place at the Guild Theatre,
at 829 SW 9th Avenue in downtown Portland (at the corner of SW 9th and
Taylor)
Tickets
$7 General Admission (single program)
$40 Festival Pass
Tickets and passes will be available at the Guild Theatre Box Office.
Box Office opens one hour before each screening, and only tickets for
that day’s screenings will be available. There are no advance tickets.
Contact
Press Contact: McCormick
phone: (503) 282+6082
mailing address: PO Box 40835, Portland 97240
website: www.peripheralproduce.com
email: pdxff@peripheralproduce.com |
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APRIL
15
THU 7:30 PM
PDX OPENING NIGHT
PERSON, PLACE OR THING
Join us for our Opening Night extravaganza, an eclectic selection of short
documentaries with post-screening Party at Holocene, 1001 SE Morrison.
APRIL
16
FRI 6 PM
ABSTRACT THROUGH X-RAY
Award-winning experimental films and videos from around the globe.
FRI 8 PM
AN EVENING W/ JEM COHEN
New York-based filmmaker Jem Cohen is perhaps best known for his feature
length BENJAMIN SMOKE (2000), a portrait of the legendary Atlanta renegade
musician Robert Dickerson, and INSTRUMENT (1999), a documentary made with
the band Fugazi. Tonight Cohen will share a selection of his numerous
short films including LOST BOOK FOUND (1996), a meditation on city life,
LITTLE FLAGS (2000), a view of a patriotic parade in Lower Manhattan,
and BLOOD ORANGE SKY (1999), a portrait of Cantani, Sicily. Cohen's films—he
has worked extensively with musicians including Vic Chesnutt, R.E.M.,
Elliott Smith, Sparklehorse, Cat Power, Blonde Redhead, and many others—defy
easy categorization, thriving on the collision between documentary, narrative,
and experimental, yet still maintaining a broad accessibility.
FRI 10 PM
THE TOO MUCH COFFEE EFFECT
Mind-twisting experimental and underground shorts.
APRIL
17
SAT 1 PM
FRIENDS AND NEIGHBORS
A selection of new experimental shorts by Northwest filmmakers.
SAT 3 PM
MORE JEMS
Festival guest Jem Cohen presents some of his earlier works, including
AMBER CITY (1999), observations of the unseen in a famed Italian city,
and BLACK HOLE RADIO (1992), a compendium of ghostly telephone confessionals.
(1992).
SAT 6 PM
WHAT TO DO WITH 30 SECONDS. . .
A collection of socially and politically motivated shorts, including Erick
Gandini's award-winning documentary SURPLUS (2003), which focuses on anti-globalism
guru John Zaran, highlights from the recent "Bush in 30 Seconds"
ad contest/campaign, and more.
SAT 9 PM
THE 2004 PERIPHERAL PRODUCE INVITATIONAL
The reigning champ, Portland filmmaker Trevor Fife, tries to hold onto
his crown at the WCEC "World Championship of Experimental Cinema,"
where 12 artists from Portland and beyond compete in a flickering film
showdown—the winner decided by boisterous audience acclaim.
APRIL
18
SUN 1 PM
'AH! THE HOPEFUL PAGEANTRY OF BREAD AND PUPPET
Director: DEEDEE HALLECK DeeDee Halleck is a media activist and cofounder
of Paper Tiger Television and the Deep Dish Satellite Network, the first-ever
grass roots community television network. She is also an Academy Award
nominated filmmaker (MURAL ON OAK STREET) who has made numerous films
over the past four decades. Halleck has led media workshops with elementary
school children, reform school youth and migrant farmers, and as President
of the Association of Independent Video and Film Makers (AIVF) helped
lead a media reform campaign in Washington, testifying twice before the
House Sub-Committee on Telecommunication. Her book, "Hand Held Visions:
the Impossible Possibilities of Community Media," is an inspirational
tool to media activists everywhere. Today she will screen her intimate
portrait of the legendary Bread and Puppet Theatre, a group that expanded
minds and the meaning of what theatre could be from the early sixties
through the mid-eighties.
SUN 3:15 PM
MEDITATION ON PLACE
Experimental documentaries that reflect ideas about a specific location
or space, including Naomi Uman's hand-processed MALA LECHE (2003), a portrait
of an immigrant family's dairy farm.
SUN 5:30 PM
EURO-STYLE
Guest curator Ralph McKay's selection of new experimental films from Europe.
SUN 7:30 PM
MEDIA ACTIVE:
An evening with DeeDee Halleck
Festival guest DeeDee Halleck shows work and talks about the history and
importance of community media and social activism. |
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