MARCH
29 SAT 7 P.M.
WHITSELL AUDITORIUM - Visiting Artists
PRIVATE EYES: LOCAL ARTISTS TACKLE THE DOCUMENTARY
Though the documentary is usually associated with social change and can
be a powerful agent for it, many Portland filmmakers choose to use the genre
for more artistic but often just as thought-provoking purposes. Tonight's
presentation features five filmmakers who push the boundaries of non-fiction
filmmaking and forge new artistic ground in the process.
DIRECTOR: VANCE MALONE A gorgeous documentary about a man working in the
intersection of art and medicine, and his passion for both. Honorable
Mention, shorts program, Sundance Film Festival. (8 mins.)
DIRECTOR: PATTY LEWIS Glass grapes, novelty candy, insects and Santa Clauses-
a touching view of collections and the people whose lives they consume.
(20 mins.)
DIRECTOR: SARAH MARCUS In a world where what is recorded as history is
decided by a select few, the ability to tell our own stories is a necessity.
Marcus exposes one technique of self-preservation known as blogging: keeping
a diary on the Internet for all to see. (15 mins.)
DIRECTOR: HARRELL FLETCHER Half documentary, half dramatic reading, BLOT
OUT THE SUN consists of excerpts of James Joyce's ULYSSES read by the
employees, customers, and random passers-by at Jay's Garage in Southeast
Portland. (25 mins.)
DIRECTOR: TREVOR FIFE ""Meridian Day' is a navigational term
that refers to the phenomenon of temporarily losing or gaining a day when
you cross the International Dateline. The film stems from audio and visual
material collected on a three-week "luxury" ship cruise taken
with my 82-year-old grandmother." (11 mins.) Grand Prize Winner,
2002 Peripheral Produce Invitational.
the filmmakers will introduce
their films.
APRIL 4 FRI 7:30 P.M.
WHITSELL AUDITORIUM - Visiting Artists
NW FILM CENTER SCHOOL OF FILM FACULTY EXHIBITION
Much of the strength of the Northwest Film Center School of Film lies
in its instructors, all of whom are active in filmmaking outside of their
teaching, and bring their constantly expanding experience into the classroom.
Though their films are shown in festivals around the world, tonight's
exhibition brings them together to show the wealth of knowledge the School
Of Film makes available to our community.
DIRECTOR: LAWRENCE JOHNSON One hallway of impassable darkness, a dozen
alienating roses, and one very stubborn fly. THREE POSSIBLE SCENES attempts
to break the cinematic language into its basic parts and communicate with
the barest of means. (16 mins.)
DIRECTOR: KEVIN T. ALLEN Marching band zombies play funeral dirges, a
man belches smeared notes and a trombone slithers and slides its way across
a room in this comic journey to the depths of band geek hell. Judges Award
Winner, Best Experimental Film, Northwest Film & Video Festival 2002
(8 mins.)
DIRECTOR BUSHRA AZZOUZ "Having lived half of my life in the Middle
East and the other half in the America, NO NEWS
is a personal response
to the events of September 11 and a reflection on the cycles of violence
that have plagued both regions. (13 mins.)
Jim Blashfield A collaboration with Seattle jazz guitar great Bill Frisell,
Blashfield twists ordinary imagery- a rainy windshield, a lamp, a streetlight-
into abstract video collage. A montage of translucency, reflection and
the light at night. (8-1/2 mins.)
DIRECTOR: CHEL WHITE A poem in pictures created in response to the events
of September 11th. Air is a recurring element-essential for life but also
a conduit for harm. (10 mins.)
DIRECTOR: enie vaisburd An examination of geographic, cultural and emotional
displacement between mother and daughter. (10 mins.)
APRIL 18 FRI 7:30 P.M.
WHITSELL AUDITORIUM- VISITING ARTISTS
SHORTCUTS THROUGH PORTLAND
April is the midway point between last year's 29th Northwest Film &
Video Festival and the application deadline for this year's, so it is
a good time to check in with local filmmakers to see what they have been
working on. Come down for a sneak peek at the stars of the future - you
can tell your friends that you saw them before they were famous.
DIRECTOR: TONY FUENTES A romantic dinner takes a morbid turn. (2-1/2 mins.)
DIRECTOR: ROB TYLER The secret life of a blender, revealed. (4 mins.)
DIRECTOR: NICK PETERSON A semi-sequel to his first film ONE, TWO takes
a look at the painful dynamics of relationships. (10 mins.)
DIRECTOR: MATT MCCORMICK The drone of ships passing in the night hypnotizes
us as merry vacationers seemingly wander into the middle of a harbor.
(5 mins.) Official Selection: Sundance Film Festival
DIRECTOR: JOHN STEINHORST An exiled human clone struggles to make sense
of the heartless human world that has incubated him into existence. Subversive
behavior leads him to fail his exit interview with his pharmaceutical
parent. (18 mins.)
DIRECTOR: TOM DUDLEY A stream-of-consciousness tour through a building
occupied by ghosts of memory. (3 mins.)
DIRECTOR: STEVE MACDOUGALL, CAMELA RAYMOND A stylized view of marital
bliss gone awry. A husband and wife preparing for a peaceful dinner must
fight a bizarre organism growing in their oven. (13 mins.)
DIRECTOR: CURLEY JOHNSON Taylor, a young career woman living in an isolated
world dominated by cell phones and computers, encounters a mysterious
stranger who forces her to see the bigger picture. (23 mins.)
APRIL 19 SAT 7:30 P.M.
WHITSELL AUDITORIUM
US 2001
DIRECTOR: MARLIN DARRAH Having originally traveled to Cambodia to make
a documentary video about the burgeoning sex trade there, Darrah, a Eugene
native, instead decided to realize his dream of shooting a dramatic feature
film. The result is MONSOON WIFE, a moving account of Americans caught
in the seedy underbelly of a Phnom Phen swept along by the forces of societal
change.The film tells the story of Thomas McIntyre, a spititually lost
expatriate trying to escape his life by losing himself in the sex and
drug culture. He meets and falls in love with Teeda, a strong and beautiful
and woman, but warry of commitment that might give his life purpose, continues
his immersion into the world of cheap prostitution. The surprise arrival
of his estranged American girlfriend sets off a complicated triangle through
which the sense of personal dignity, honor and maturity that has escaped
him finally takes root. (92 mins.)
Marlin Darrah will introduce and diScuss his film.
APRIL 25 fri 7 P.M.
WHITSELL AUDITORIUM
visitng artist
PORTLAND 2002
DIRECTOR: KELLEY BAKER "Angry Filmmaker" Kelley Baker has made
a name for himself by working on five of Gus Van Sant's feature films,
his eclectic body of witty personal shorts, and for his website-www.angryfilmmaker.com
-which chronicles his frustrations with the independent film community.
Frustrations aside, he has found success at festivals in Chicago, Edinburgh
and even at Sundance. THE GAS CAFÉ is his second feature, shot
entirely on digital video with a budget of under $4000. It is an enigmatic
story of three friends and two strangers thrown together in a roadside
cafe on a rainy night in Oregon. One is dead, one never lived, and the
other three are lying. Join us after the show for a discussion with Kelley
about the experience of shooting THE GAS CAFÉ, and why he is so
angry. (90 mins.)
kelley baker will introduce his film.
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