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Over the last decade some of the most daring,
provocative, idiosyncratic, comic and moving cinema in the world has emerged
from directors from Sweden, Iceland, Finland, Denmark and Norway. The
off-beat ironies of Aki Kaurismäki (MAN WITHOUT A PAST, DRIFTING
CLOUDS), Dogme inspirations of Lars Von Trier (DANCER IN THE DARK, BREAKING
THE WAVES), comic meditations of Fridrik Thor Fridriksson (ANGELS OF THE
UNIVERSE, COLD FEVER) and moving dramas of Billie August (A SONG FOR MARTIN,
BEST INTENTIONS) have found their place on screens world wide and opened
the way for such new talents like Lukas Moodysson (SHOW ME LOVE, LILJA
4-EVER), Erik Skjoldbjaerg (INSOMNIA), Marius Holst (DRAGONFLIES) and
Baltasar Kormakur (THE SEA, 101 REYKJAVIK). Beyond the art-house success
of these films and filmmakers lies many more discoveries, a dozen of which
we are pleased to present in this showcase. We thank the Nordic Heritage
Museum's Nordic Film Festival (Seattle), the Danish Film Institute, Swedish
Film Institute, Norwegian Film Institute, Finnish Film Foundation and
Icelandic Film Fund for making these films available.
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MARCH 15
SAT 7 P.M.
WHITSELL AUDITORIUM
SWEDEN 2001
DIRECTOR: JAN TROELL Based on the real life story of Elsa Andersson. Sweden's
first female aviator, Troell's visually sumptuous film chronicles Elsa's
rise from turn-of-the-century farm girl to national heroine. Willful, stubborn
and eager to defy social convention, the young Elsa (Amanda Ooms) defies
her parent's expectaction of marriage and enrolls in flight school, where
her beauty and novelty enthrall her male classmates. But none can possess
her, nor will any, as Elsa is off on a life that takes her to the decadence
of Weimar Berlin, tragic loves and life as a daredevil wing jumper. Troell's
epic bio-pic won the Goldbug (Swedish Oscar) for Best Film, Best Director
and Best Cinematography and has all the epic sweep of his earlier classics
THE EMIGRANTS, THE NEW LAND, FLIGHT OF THE EAGLE and HAMSUN. (164 mins.)
MARCH 16
SUN 7 P.M.
WHITSELL AUDITORIUM
DENMARK 2000
DIRECTOR: PER FLY Winner of numerous best film, director and actor awards
in Scandinavia, Fly's feature debut is a gritty, gripping drama about
a middle-aged alcoholic on a serious downward spiral. Kaj, once a chef
of some repute, lives as a lush in a claustrophobic Copenhagen apartment.
When a young mother on the run from an abusive husband rents a room nearby,
Kaj recognizes her as the daughter he has not seen in 19 years. At first
fearful of reconciliation, his eventual attempt goes badly. Drinking himself
to death seems the best option, but fate offers the opportunity for redemption.
"An involving story and a powerful performance by lead actor Jesper
Christensen whom manages to convey both the self loathing of this once
dignified man and the stubborness and pride that even years of hard drinking
have not been able to erase."
-VARIETY. (93 mins.)
MARCH 18
TUE 7 P.M.
GUILD THEATRE
SWEDEN 2002
DIRECTOR: STEFAN JARL In LIFE AT ANY COST, Stefan Jarl's 1998 documentary
on Swedish director Bo Widerberg, actor Thommy Berggren was the narrator
and supplied entertaining anecdotes about working not only with Widerberg
on some of his best-known films (RAVEN'S END, ELVIRA MADIGAN, JOE HILL),
but also with Ingmar Bergman and other directors. In THE BRICKLAYER, Jarl
focusses on Berggren himself, and the noted Swedish actor talks about
his life and his career. Born in Mölndal in 1937, Berggren was raised
in a political household. His father was active in the workers' movement
and was apparently a bright man with radical ideas whose life was ruined
by alcoholism. Berggren traces the roots of his ambition to become an
actor to his relationship with his father. Much of his acting has been
influenced by his sympathy for the underdog, even when playing royalty.
He recounts working with Ingmar Bergman on a stage production of Eugene
O'Neill, when, in rehearsal, he played all of the play's parts and poked
fun at his director. Winner of the European Film Award Best Documentary.
(95 mins.)
MARCH 20
THU 7 P.M.
WHITSELL AUDITORIUM
FINLAND 2001
DIRECTOR: PETER LINDHOLM KITES OVER HELSINKI chronicles the growth of
the Bexar family, from the harmonious family life of the '70s to the total
chaos of the '90s. Riku Bexar has lost his older brother Dani in a violent
car crash that was a suicide. Dani, whose dream was to be a rock star
and whose struggle was to escape family expectation, was his idol. Traumatized
by sorrow and rage, Riku leaves his wife and child and embarks on a chaotic
trip triggered by a bizarre dialogue with his dead big brother, who bellows
like a reckless disc jockey bringing forth both good and bad memories
of their childhood and teenage years. These include the wishes of Henrik,
their father, whose inability to accept either of them for what they are
casts the family's collective fate. Excellent performances bring to life
a moving family saga. (100 mins.)
MARCH 21
FRI 7 P.M.
WHITSELL AUDITORIUM
NORWAY 2000
DIRECTOR: PAL JACKMAN 30-year-old psycholgist Daniel, whose father died
before he was born, still lives at home with his domineering mother. In
between his counselling sessions and dealing with her, he indulges in
a rather odd hobby: he and his comic buddy Ronny scour the countryside
with metal detectors. One day they find a braclet with the name "Janne."
Daniel sets out to find the owner. When he finally does, Janne turns out
to be a beautiful woman with a secret. . . . Part mystery, part psychological
profile, DETECTOR is an engaging journey through one man's search to put
together the missing pieces of the puzzle of his life. Best First Film
Prize at the Norwegian International Film Festival. (102 mins.)
MARCH 22
SAT 7 P.M.
WHITSELL AUDITORIUM
ICELAND 2000
DIRECTOR: ROBERT I. DOUGLAS Reykjavic rock video director Douglas' wry
debut film is a fine, funny, slacker mockumentary. An unseen film crew
documents the life of Toti (Tórhallur Sverrisson), a gangly, problem
plagued 30-year-old soccer fanatic whose schemes for overnight success
are foiled at every turn. His very ex-wife and eight-year-old daughter
live with an American, of all insults; his 18-year-old girlfriend couldn't
care less about soccer; and his momentarily thriving business of importing
Bulgarian Opal cigarettes hits the skids when they are banned for containing
a narcotic. But the unkindest cut of all? Valur, his beloved soocer team,
is demoted to second division. Pursuing his destiny with a peculiar Icelandic
arrogance and ineptitude, Toti's romantic quest for the Icelandic (and
American) dream provides an engaging journey. (92 mins.)
APRIL 4
FRI 7:30 P.M.
GUILD THEATRE
NORWAY 2002
DIRECTOR: EVEN BENESTAD Voted Best Documentary at the 2002 Berlin Film
Festival, ALL ABOUT MY FATHER is a highly personal film about Esben Benestad,
a well respected doctor-who also happens to be a transvestite-from a small,
very close-minded christian town in Norway. The film was directed by the
one person most likely to convey the story with truth, warmth, humour
and irony: Even Benestad, his son. "Contrary to my father's idea
that this film would promote him as a colourful character who uses all
his time to combat conservative bureaucracy," states the director,
"I wanted to make a portrait of him where his transvestism and strong
self-realisation forms the basis of the film. I could not compromise-personal
confrontation was paramount in making this a genuine film." Benestad's
documentary is a candid, moving work exploring the two extremes of his
dynamic dad's life as a doctor, author and politician, juxtaposed with
his identity as the exotic Esther Pirelli, sexual therapist and occasional
actress. (77 mins.)
APRIL 5
SAT 7 P.M.
WHITSELL AUDITORIUM
DENMARK 2001
DIRECTORS: SAMI SAIF, PHIE AMBO "How can you miss someone you've
never met? This nimble, expressive film beautifully captures both the
weighty obligation and the sweet lightness of family lost and regained.
Following the death of his mother and the tragic loss of his brother,
Danish filmmaker Sami Saif and co-director and cinematographer Phie Ambo
(also Saif's partner at the time) decide to search for Sami's father,who
abandoned his family when Sami was a child. He has been meaning to find
his father for four years, but has readily deferred to more pleasant pursuits-going
to the beach, for instance. Launching with a tour-de-force segment-a series
of raw, evasive and startling phone calls in which Sami traces his father
to Yemen-his journey is, as one relative quietly suggests it will be,
'a nice surprise.' Indeed, the storytelling here is terrific, suspenseful
but unforced and, pushing beyond the personal to the universal, this absorbing
documentary strikes complex and contradictory emotional chords."-TORONTO
FILM FESTIVAL. (90 mins.)
APRIL 6
SUN 7 P.M.
WHITSELL AUDITORIUM
FINLAND 2001
DIRECTOR: PEKKA LEHTO Finnish icon, dancer and member of Parliament, Aira
Samulin wants to perform a revue which will tell her life story; a sleazy
producer wants to produce a money-making cabaret. The dance between the
two provides Pekka Lehto the opportunity to fashion a Fellini-esque mixture
of documentary and musical revue. This fictionalized life of Aira Samulin,
former Finnish beauty queen, tango dancer, and pop-culture treasure. After
50 years in the limelight and a reputation as an ambassador of joy, Aira,
now a dance teacher in her 90s, is still a long-legged, hip-hop lady with
the spirit and beauty of a teenager. She just wants to share some of the
tragedy of her life as a war refuge and a victim of violence, not to become
a mere night-club spectacle. (90 mins.)
APRIL 9
WED 7 P.M.
WHITSELL AUDITORIUM
SWEDEN 2000
DIRECTOR REZA BAGHER Nazli is 18 and has grown up in Sweden with her Iranian
parents. She desperately wants to be Swedish (she even calls herself Sara
in order to be so) and independent, often arguing with her tradition-bound
father Abbas. Abbas wants Nazil and her sister Mahin to marry and finds
two men for them: Hassan for Mahin and Hamid for Nazli. Mahin likes Hassan,
but Nazli objects to Hamid and starts seeing Johan, a Swedish boy. The
situation gets more complicated when Hamid offers Nazli a job in his video
store, where he gets more and more frustrated until one night he attacks
her. When Mahin marries Hassan, Hamid turns up for the party. . . Bagher's
wonderfully observing film, full of comic and bittersweet moments, weeps
with the emotion of truth. (105 mins.)
APRIL 12
SAT 7:30 P.M.
WHITSELL AUDITORIUM
ICELAND 2000
DIRECTOR: RAGNAR BRAGASON "A good, mordant Icelandic comedy in the
style of Aki Kaurismäki, Ragnar Bragason's FIASCO follows the misfortunes
of three relatives living in the same Reykjavik household. Karl (Róbert
Arnfinnsson) is smitten with an elderly actress who's as batty as she
is alluring. Granddaughter Julia (Silja Hauksdóttir) can't choose
between her two lovers or even decide whether or not she's pregnant. And
middle-aged mother Steingerour (Margrét Akadóttir) has the
unenviable task of having to clean up after a hellraising, hot-tubbing
priest. Despite the impassive faces of FIASCO's cast and the empty, snowy
streets, there's a torrent of lust and madness just below the frigid surfaces."
- THE EYE, Toronto. (92 mins.)
APRIL 13
SUN 7 P.M.
WHITSELL AUDITORIUM
NORWAY 2001
DIRECTOR: THOMAS ROBSAHM
This adaptation of Nobel Prize winner Bjørnstjerne Bjørnson's
short novel "The Fisherman's Daughter" is a charming romantic
comedy about discovering who you want to be. Set in1860, the story centers
on the fatherless and fearless young Petra. In a cross between romantic
infatuation and struggle for freedom, she suddenly finds herself engaged
to no less than three of her home town's most eligible young men. The
only thing to do is flee. Setting off for Copenhagen, she ends up at a
vicarage high up in the mountains, where a widowed Danish priest has sought
his vocation together with his daughter Signe. Through charm and reckless
deception she wheedles her way into this little family, and a profound
friendship develops between the two girls. But this friendship is put
to its ultimate test when it becomes clear that they have found love in
the same man. (110 mins.)
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